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자료유형
학술저널
저자정보
김하나 (영남대학교)
저널정보
한국어문학회 어문학 語文學 第137輯
발행연도
2017.9
수록면
293 - 321 (29page)
DOI
10.37967/emh.2017.09.137.293

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초록· 키워드

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“Mokchu chapka” is a series of Korean sijo poems composed by Hwang Yun-sǒk (1729-1791), a Confucian scholar and poet during the 18th century. This particular poetic work was created when the author was appointed as the magistrate of the district of Mokchǒn, relatively a marginal position in the country, and the poems became an important source to understand the author’s consciousness and emotional experience reflected in the lyrics.
Hwang Yunsǒk employed the extended form of sijo, called yǒn-sijo, which enabled him to convey the details of his feelings. However, he detach himself from the convention of ordinary sijo and created a unique form and the content, in which he deals with his loyal attitude toward the ruler on the one hand and expresses his affection for his family on the other. His poems also illuminate his selfhood in reality. In general, Hwang’s poems are characterized by two major subjects: the embodiment of the Confucian ideology and the author’s own individual aspect of life. In other words, Hwang’s poems can be divided between the autobiographic writing and the expression of the Confucian ideology. Particularly, he portrayed the reality of his life as a local official in the autobiographic writing, which captures his private feelings and the condition of life. On the other hand, the poems show that the internalization of the Confucian norms and ideology propelled him to focus on study and self-cultivation.
In this context, “Mokchu chapka” has interwoven various elements of Hwang’s consciousness of reality and his feelings. In conclusion, “Mokchu chapka” reflects the literati’s consciousness of an elite man in the local area during the 18th Century and also shows the interiority of the poet. While he served as the magistrate of Mokch’ǒn, he struggled to overcome his frustration with the reality and his poem-writing likewise provided him with a way to overcome his frustration through the realization of the Neo-Confucian ideology in the literary world.

목차

1. 서론
2. 〈목주잡가〉의 구조적 성격
3. 〈목주잡가〉의 내적 의미
4. 결론
참고문헌
[Abstract]

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