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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2018.9
- 수록면
- 105 - 144 (40page)
- DOI
- 10.37967/emh.2018.09.141.105
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초록· 키워드
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Samyun(三淵) Kim Chang－heup(金昌翕, 1653－1722) laid the foundations for the formation and the enhancement of the true literature with realistic elements through sightseeing tours. It is presumed that the unique poetic style and the material shown in the poetic world of Kim Chang－heup would have been done in the process of effectively writing poems with the impressions inspired by the sightseeing tour. This paper examines the journey and classical Chinese poetry recording the progress and expression of when Kim Changheup at the age of 36 traveled to the Danyang(丹陽) area. Kim Chang－heup traveled to four districts such as Danyang, Jecheon, and Youngwol(寧越) to accompany Kim Chang－hyup who served as a prefecture governor of Chungpung when he went up to Seoul and returned to the place of his appointment in 1688 (King Sukjong 14 years). On this journey, Kim Changheup created the journey of “Dangu Diary” and 220 classical Chinese poems. In particular, the classical poems were organized and distributed with Dangulok. Through these works, you can confirm the reality of the excursion.
Kim Chang－Heup impressively watched the journey going up the Han River by boat, detailing and recording the difficulties of the inspiration and the water way which had not been experienced before. Kim Chang－Heup accompanied 10 delegates including Chungju governor to the Dangu excursion. Kim Chang－Heup shared his fascination with the other people, by blowing the flute directly and getting a flavor of the journey, as an example. On the other hand, on the Yungwol excursion that he took alone, he becomes drenched in loneliness and sorrow. For this reason, he had mainly created works that revealed a pleasure from meditation in Jungbangsssa, where he visited at the end of his itinerary. Kim Chang－Heup also created many poems in his way back. This is the reason why he was filled with emotion again, even though he had already seen the landscape, or he encountered scenery that he had never seen.
Thus, Kim Chang－Heup left a lot of prose records and creations of classical Chinese poems during one－month long tour to the four districts. It contains everything he saw, heard, and felt through the excursion, such as the various aspects of cruising on the ship, the pleasure of the accompanying people, and the sorrow and meditation that he felt alone. In the case of classical Chinese poems, they were organized and distributed as Dangurok and became the mediator of memory to the accompanying people taking the journey together. In addition, the surrounding characters and later writers became enthusiastic about the excursion to the four districts and created momentum to trigger the future journey to the four districts.
Kim Chang－Heup impressively watched the journey going up the Han River by boat, detailing and recording the difficulties of the inspiration and the water way which had not been experienced before. Kim Chang－Heup accompanied 10 delegates including Chungju governor to the Dangu excursion. Kim Chang－Heup shared his fascination with the other people, by blowing the flute directly and getting a flavor of the journey, as an example. On the other hand, on the Yungwol excursion that he took alone, he becomes drenched in loneliness and sorrow. For this reason, he had mainly created works that revealed a pleasure from meditation in Jungbangsssa, where he visited at the end of his itinerary. Kim Chang－Heup also created many poems in his way back. This is the reason why he was filled with emotion again, even though he had already seen the landscape, or he encountered scenery that he had never seen.
Thus, Kim Chang－Heup left a lot of prose records and creations of classical Chinese poems during one－month long tour to the four districts. It contains everything he saw, heard, and felt through the excursion, such as the various aspects of cruising on the ship, the pleasure of the accompanying people, and the sorrow and meditation that he felt alone. In the case of classical Chinese poems, they were organized and distributed as Dangurok and became the mediator of memory to the accompanying people taking the journey together. In addition, the surrounding characters and later writers became enthusiastic about the excursion to the four districts and created momentum to trigger the future journey to the four districts.
목차
1. 서론
2. 乘船 유람의 설렘과 새로운 見聞
3. 四郡 유람의 흥취와 애상감
4. 歸路에서의 회고와 아쉬움
5. 결론
참고문헌
Abstract
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