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자료유형
학술저널
저자정보
이원동 (경북대학교)
저널정보
한국어문학회 어문학 語文學 第141輯
발행연도
2018.9
수록면
343 - 371 (29page)
DOI
10.37967/emh.2018.09.141.343

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초록· 키워드

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Japanese sentence academies(日本文章学院)‘s Novel writing was published in 1906, and Tayama-katai (田山花袋)’s Novel writing was published in 1909. At the time of the publication of these two books, the concept of modern novels in Japan was undergoing a great change. Tsubouchi-shoyo(坪内逍遥)‘s Shousetsu shinzui (小説神髄) published from 1885 to 1886 defines novels as being ‘mainly about emotion’. This is the first definition of modern fiction in Japan. In 1907, however, this concept began to change since the publication of the blanket (布団) by Tayama-katai(田山花袋). In short, the concept of modern novels was greatly changed in Japan in 1906 ∼ 1909, when the two books were published. This is a case in contrast to the process of changing the concept of modern novels. Tsubouchi-shoyo(坪内逍遥) said emotion was important in the novel. Taking this viewpoint, novelists at Japanese sentence academies(日本文章学院) said that they should find a change of emotions on the social level.
Tayama-katai(田山花袋) wrote that the scientific attitude should dissect emotions. On the other hand, Lee Kwang-soo(李光洙) was studying in Japan at the time of the publishing of the two novels. In 1916, Lee Kang-soo(李光洙) wrote What is Literature . In this article, Lee Kwang Su(李光洙) expressed his views on modern novels. Like Tsubouchi-shoyo(坪内逍遥) and novelists at Japanese sentence academies(日本文章学院’s novel theory, Lee Kwang-soo(李光洙) also wrote novels focusing on emotion. However, Lee Kwang Soo(李光洙) regarded the exchange of emotions in reading and writing novels as important. Lee Kwang-soo(李光洙) felt that emotions were a way for people to understand and sympathize with each other. Lee Kwang Soo (李光洙) thought that the novel was a kind of social communication.

목차

1. 머리말
2. 일본의 소설 작법: 사실이란 무엇인가-사회적 에토스: 감정이 제거된 자연
3. 이광수의 초기 문예론과 ‘정’의 사회적 의미
4. 과학적 태도와 소설가의 조건
5. 맺음말-근대 소설 개념의 향방
참고문헌
Abstract

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