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??The aesthetic sense between African(Negro) literature and Korean modern literature holds a sheer difficulty to be understood, if only excluding the history of ‘slavery’ and its extremely troubling process of independence and autocratical inheritance seen as political corruptions. The concern toward Africa and its literature, from the imperial periods during which the cruel oppression and plundering were mercilessly underway, which was unparalleled to the world history brought the people of Chosun dynasty into becoming acute in their political awareness. In the political games and the logic of capital confiscations of powerful nations, African modern literature was translated and then introduced into Korean people as the post-colonial symbol of retrieving the sovereignty of liberty, independence, and expression. If ‘the voice of Africa’ had been made called as resistance and independence in the times of colonialism, ‘the voice’ was accommodated in the structure of ‘the 3rd world’ having the critical recognition against the western modernity after the era of Koreans’ struggling for independence and the Korean civil war.
??The Africa literature gave salience to the importance of the entity of tradition and culture, “a nation as a self-will” not as a nation merely existing to the men of letters suffered from the coercion of long-period colonial rulings, pro-American anti-communism, and powerful nationalism. Their own literature that built the literary identity and style with the humanistic robust sensitive faculty, away from the way of European literature, was accepted as an intensive experimental style by the young avant-garde who had taken lead of the aesthetic modernism since 1950s. In addition, what the camp of popular literature in 1970s paid attention to, as well, was undoubtedly the popular nature of African literature, the restoration of folk convention, folklore, and realistic mode. African literature lifted up a new energy from those of human, Mother Nature, native countries, and mother tongues, from the discourse of independence and freedom. And this is the reason why the literature of Africa should be looked back anew in the relationship with Korean modern literature.
??The Africa literature gave salience to the importance of the entity of tradition and culture, “a nation as a self-will” not as a nation merely existing to the men of letters suffered from the coercion of long-period colonial rulings, pro-American anti-communism, and powerful nationalism. Their own literature that built the literary identity and style with the humanistic robust sensitive faculty, away from the way of European literature, was accepted as an intensive experimental style by the young avant-garde who had taken lead of the aesthetic modernism since 1950s. In addition, what the camp of popular literature in 1970s paid attention to, as well, was undoubtedly the popular nature of African literature, the restoration of folk convention, folklore, and realistic mode. African literature lifted up a new energy from those of human, Mother Nature, native countries, and mother tongues, from the discourse of independence and freedom. And this is the reason why the literature of Africa should be looked back anew in the relationship with Korean modern literature.
목차
1. 서론
2. ‘보종보국론’과 아프리카에 대한 인식의 탄생
3. 문학후발국론과 흑인문학에 대한 인식
4. 국가주의 대 휴머니즘
5. 결론
인용문헌
Abstract
참고문헌 (22)
참고문헌 신청
1. [단행본] - 강정구 / 2003 / 다 죽여라 다 쓸어버려라 / 한국전쟁전후 민간인학살 진상규명 범국민위원회
2. [단행본] - 강평원 / 2007 / 만가 상여소리 / 뿌리 출판사
3. [학술대회논문] - 곽명숙 / 2001 / 1960년대 김수영의 시와 시론 In: 解放 以後 韓國文學의 文學史的 理解 / 한국시학회 동계 학술발표회 논문집
4. [학술지(정기간행물)] - 권명식 / 1989 / 아프리카 문학에 있어서의 이념논쟁 / 민족지성 (11월)
5. [학술지(정기간행물)] - 김상률 / 2004 / 디아스포라와 아프리카계 미국문학 / 한국아프리카 학회지 19 (1) : 3 ~ 24
2. [단행본] - 강평원 / 2007 / 만가 상여소리 / 뿌리 출판사
3. [학술대회논문] - 곽명숙 / 2001 / 1960년대 김수영의 시와 시론 In: 解放 以後 韓國文學의 文學史的 理解 / 한국시학회 동계 학술발표회 논문집
4. [학술지(정기간행물)] - 권명식 / 1989 / 아프리카 문학에 있어서의 이념논쟁 / 민족지성 (11월)
5. [학술지(정기간행물)] - 김상률 / 2004 / 디아스포라와 아프리카계 미국문학 / 한국아프리카 학회지 19 (1) : 3 ~ 24
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UCI(KEPA) : I410-ECN-0101-2014-800-000791172