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자료유형
학술저널
저자정보
韩晓 (中国山东师范大学)
저널정보
중국문화연구학회 중국문화연구 中國文化硏究 第44輯
발행연도
2019.5
수록면
93 - 117 (25page)

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There is a special female image in contemporary literature of China, that is the “comfort women” image from China, Japan and Korea. This paper firstly made an in-depth exploration and analysis of the images of “comfort women” in contemporary literature of China, and then classified them according to nationality, specifically analyzing the images of “comfort women” in China, Japan and Korea. To be specific, when creating the image of Chinese “comfort women”, Chinese writers not only expose the crimes of the aggressors from the standpoint of nationalism and then call on the people to fight for the end of the war, but also explore the oppression of women by gender and patriarchy system to a certain extent. In shaping the “comfort women” from Japan, the writers are based mainly on anti-war stance, with the Japanese people apart from the war initiators-the Japanese warlords and plutocrat, accuse the warlord of their press on women in Japan and call for the world forces that can be united together against Japanese imperialism. When looking at the “comfort women” from Korea, a colony of Japan, they mainly cast a humanitarian view. On the one hand, they expose and strongly condemn the crimes of Japanese imperialism; on the other hand, they also warn the Chinese people to wake up, so as to call for the unity of weak and small ethnic groups. These works project different consciousness and embody different creative purposes. They can not only help us to document history and expose the evil of militarism, but also provide us with some perspective and practical significance to re-examine this issue today.

목차

1. 绪言
2. 中日韩三国的“慰安妇”形象
3. 看待三国“慰安妇”的视角差异及原因探析
4. 结语
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Abstract

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UCI(KEPA) : I410-ECN-0101-2019-910-000714989