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자료유형
학술저널
저자정보
김상현 (성균관대학교)
저널정보
한국슬라브유라시아학회 슬라브학보 슬라브학보 제34권 제2호
발행연도
2019.6
수록면
27 - 66 (40page)
DOI
10.46694/JSS.2019.06.34.2.27

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초록· 키워드

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As the epicenter of social exposure, criticism, corruptions, hypocrisy, desire for social success, and so on, the scene of balls, masquerades and salons in the early 19th century Russian literature is an important topos, when it comes to their function, thematic structure, and poetic role in the texts. Following the first study of this serialized theme done in other journal, the focus of the present paper deals with the major works such as Lermontov’s Masquerade (1836) and Princess Ligovskaia (1836), Odoevsky’s Russian Nights (1844), and Karolina Pavlova’s The Dual Life (1848). From the Romantist to Realist time, those four texts exert diverse pictures of the balls, masquerades, and salons, in which the protagonists express their identity, society, higher class, love affairs, and spiritual monologues, as well. As discussed earlier in other study, we are able to find some representative scenes of the motifs under consideration like this: first, they function as an explosive place for satire and criticism on their society, particularly spiritual emptiness and illness. Second, as an antipode against the holy mission given to the intellectuals of the time, the higher society’s mode and meeting place are depicted as totally exotic and non-Russian soil. For these reasons, this paper consequently argues that the balls, masquerades, and salons are serious obstacle for the noble class to overcome their mental illness and non-Russian cultural elements, rather representing most of negative atmospheres, before the productive and democratic literary salons appeared in the middle of the 19th century Russian literature.

목차

I. 서론 및 문제 제기
II. 러시아 문화 코드로서의 무도회와 가면무도회, 살롱
III. 결론
참고문헌
Abstract

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