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A Study on Unrepresentation of W. Forsythe's Improvisation Technologies
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윌리엄 포사이드의 즉흥 테크놀로지에 나타나는 비재현성에 대한연구

논문 기본 정보

Type
Academic journal
Author
Journal
한국무용예술학회 무용예술학연구 무용예술학연구 제55권 제4호 KCI Accredited Journals
Published
2015.1
Pages
81 - 95 (15page)

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A Study on Unrepresentation of W. Forsythe's Improvisation Technologies
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Abstract· Keywords

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This study explains the process of improvisation in W. Forsythe’s Improvisation Technology, based on two concepts of G. Deleuze’s term Machine: use(usage) and cutting(coupure). Forsythe presents the examples of creating new movements beyond the unification and mechanism of conservative movements. They start with the disconnection from organized order which is ruling a body and the understanding of the body, which enables the new use in circumstances free from fixed meanings. Through this thought Improvisation Technology is working as ‘improvisation-machine’ which is a making new dance through various movements of body free from imitating a certain form or indicating a certain meaning. These kinds of movements express unrepresentative features beyond the beauty of form or fixed meaning.

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