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학술저널
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한국영미문화학회 영미문화 영미문화 제17권 제4호
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2017.1
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The recent American Indian literary scholarship has enacted heated debates on the issue of nationalism vs. cosmopolitanism. Foregrounding post-modernist’s double discourses and allegedly shared humanism, cosmopolitan literary critics assert that American Indian nationalists give way to political separatism and cultural binarism as they pursue to seek their literary sources and methodology from the indigenous cultural values and perspectives. On the other hand, the nationalist critics including Jace Weaver, Craig S. Womack and Robert Warrior want to enliven the native world-view and literary methodology which they claim have been ignored, debased, discounted, and marginalized by Euro-American cultural voices. The native nationalists criticize that the cosmopolitan critics desire to keep status quo by reminding our own contemporary cultural hybridity or having recourse to the post-modern bifurcated logic of yes and no. In fact, the nationalist critics do not deserve the cosmopolitans’ charge of politico-cultural separatism and binarism. The nationalists willingly recognize the validity of those literary works that go along with multicultural movements in the United States as much as those seeking the native tribal perspectives. They only try to reinvigorate the marginalized sovereignty of the indigenous people. Then, the nationalist critics goes toward the Buddhist’s concept of co-arising sovereignty in that they are resilient to cultural transformation while keeping the non-essential sovereignty that is formed with five aggregates. American Indian nationalism does not pursue essentialist nationhood but co-arising sovereignty.

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