메뉴 건너뛰기
Library Notice
Institutional Access
If you certify, you can access the articles for free.
Check out your institutions.
ex)Hankuk University, Nuri Motors
Log in Register Help KOR
Subject
Humanities
General Humanities History Philosophy Religious Studies Linguistics and Literature Other Humanities
Social science
General Social Science Business Management Tourism Education Military Science Library and Information Science Law Sociology Journalism and Media Studies Psychological Science Political Science and Diplomacy Geography Public Administration Economics International Trade Anthropology Other Social Science
Natural science
General Natural Science Physics Biology Life Sciences Mathematics/Statistics Astronomy Earth Science Chemistry Other Natural Science
Engineering
General Engineering Architectural Engineering Mechanical Engineering Industrial Engineering Material/Energy Engineering Electrical and Electronic Engineering Marine and Ocean Engineering Chemical Engineering Computer Science Other Engineering
Medical science
General Medical Science Nursing Science Veterinary Pharmacy Traditional Korean Medicine Basic Medicine Clinical Medicine Other Medicine
Agriculture and Fishery
General Agriculture and Fishery Agriculture Fishery Science Food Science Forestry Animal Husbandry Marine Transportation Studies Other Agriculture and Fishery
Art and Kinesiology
General Arts Design Fine Arts Cosmetology Photography Music Fashion Kinesiology Performing Media Arts Other Arts and Kinesiology
Interdisciplinary Studies
Interdisciplinary Research Science and Technology Studies Brain and Cognitive Science Technology Policy Other Interdisciplinary Studies

KOR

The Change of the Calligraphic Style of the Buddhist Bell Inscriptions in the Unified Silla Period
Recommendations
Search

통일신라 범종 명문의 서풍 변화

논문 기본 정보

Type
Academic journal
Author
Journal
한국서예학회 서예학연구 서예학연구 제33호 KCI Accredited Journals
Published
2018.1
Pages
5 - 31 (27page)

Usage

cover
The Change of the Calligraphic Style of the Buddhist Bell Inscriptions in the Unified Silla Period
Ask AI
Recommendations
Search

Abstract· Keywords

Report Errors
There are six Buddhist bell inscriptions transmitted in ink rubbing in the Unified Silla period. They were written in regular script and the back side of one in running script. Their calligraphic style became changed gradually with the periodical change. This paper is to find out the change of calligraphic style of them made from the 8th to the 10th century. The Chinese styles of the Northern Wei and Yan Zhenqing (顔眞卿) of the middle Tang were used during the first period from the 8th to the early 9th century. The bell inscription of Sangwonsa in 725, the earliest one of all, was written in the style of the Northern Wei and those of Mujinsa in 745, Seongdeokdaewang in 771, and Seollimwon in 804 in the style of Yan Zhenqing. The bell inscription of Yeonjisa in 833 that belongs to the second period was written in the atmosphere of free change, which is different from those of the first period. Its regular script shows the change process from the Chinese to the Silla style. The bell inscription of Songsanchondaesa in 904 that belongs to the third period was written in the own style of the Silla calligrapher, which differentiates from those of the first and second periods. It is more creative style than that of Yeonjisa of the second period. Accordingly, it can be said that the bell inscription of the third period contributed to the settlement of calligraphy culture in Silla style. Thus, the three-stage change of the calligraphic style of the bell inscriptions of the Unified Silla is in concordance with the period division, which are middle, late and end periods of Silla. It almost accords with the three-stage change of pattern of the image of a flying fairy, that of donator’s status, that of master artisan’s belonging, and that of inscription’s location following the three-stage periodical change. Like those of the wooden tablets and Buddhist stone inscriptions, the writings of the bell inscriptions of the Unified Silla period changed its style from that of the Northern Wei through that of the Tang to that of the Silla. It also corresponds the social atmosphere forming the calligraphy culture of Silla’s own, passing from the middle through the late to the end period.
#Buddhist bells of the Unified Silla period #bell inscription of Sangwonsa #bell inscription of Mujinsa #bell inscription of Seongdeokdaewang #bell inscription of Seollimwon

Contents

No content found

References (0)

Add References
If the reference is being serviced by DBpia, please register through [Add Reference]

Recommendations

It is an article recommended by DBpia according to the article similarity. Check out the related articles!

Related Authors

Comments(0)

0

Write first comments.