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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한양대학교 현대영화연구소 현대영화연구 현대영화연구 제6권 제2호
발행연도
2010.1
수록면
345 - 375 (31page)

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The aim of this study is to re-examine discussions of image and the real in the process of restructuring the history of icon controversy, which can be called a root that stimulated changes in Western culture and arts history. The history of Western ideas from the birth of Greek philosophy until today, in short, is a history of battle between what is tangible (image) and intangible (the real). Examination of the two different views that are for the impossibility of the image of God, and the possibility of the image of God, cannot remain in a religious dimension embryology, but inevitably produces ideological discussions on the mage and the real. The discussion includes the subjective value judgments of the group that establishes the public opinion, and homogeneous meanings that are reached in the repetition of public opinion. Through the process of examining problems of the idea of image and the real derived from icon controversy, from iconoclasm under Leo III who brought about a great change to the East Roman Empire and Europe as a whole, to the religious reform of the sixteenth century which was the peak of icon controversy, and examining overlapping discussions, the results of this study discovered basics of new metaphysics from the perspective of Luther. His statements of ‘freedom’and ‘transcendence’ which appear to be his cohesive direction present a discussion of tolerance and combination that newly interprets reality, and a discussion of reconciliation.

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