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Russian plays at the turning point and studio movement : Focusing on Vakhtangov studio in the 1910s~1920s
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러시아 연극스튜디오운동의 전개 양상 - “1910-1920년대 바흐탄코프 스튜디오를 중심으로”

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Type
Academic journal
Author
Journal
한국연극학회 한국연극학 한국연극학 제1권 제68호 KCI Accredited Journals
Published
2018.1
Pages
209 - 258 (50page)

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Russian plays at the turning point and studio movement : Focusing on Vakhtangov studio in the 1910s~1920s
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The history of studio movement has something to do with the history of Russian plays at the turning point. Studios that began to appear in 1910 in the history of Russian plays were active practices to perceive given situations and heal them completely through art in historical and social situations and in frequent changes in the field of art. In the history of Russian plays, 'studio' was optimal physical and mental space for the solution of unresolved questions about contemporary plays. For this reason the peak of studio movement is identified with the period of self-reflection in the inside of the art world. These are barometers to understand in what way Russian plays worried about an approaching crisis: affiliated studios formed on the base of Moscow art theaters in the early 20th century, studios including Sovrimennik theater as the purpose to overcome chaotic social situations after the death of Stalin through the power of art, and studios after Perestroika that pursued renovative forms of plays in 1990s and claimed to be a director-centered coterie, Recording the activity of theater studios as a 'movement' and 'stream‘ is the most noticeable in Russian history of theater studios movement. The activity is regarded as a movement because of its great driving force and influence on contemporary Russian plays, and the force was obtained in the process of self-dissolution and the realistic perception of problems about contemporary plays and self-dissolution. Artists mentioned in renovative atmosphere of early Russian theater studios are Stanislavsky, Meyerhold, Vakhtangov, Mikhai Chekhov and so on. They are recorded in Russian history of plays. Particularly, Vakhtangov is in the center of theater studio movement, faithfully carrying out the principle of Russian theater studio called 'school-studio-theater.' Vakhtangov was in the active flow of the studio movement that "left the nest and jumped into a vast experiment and wild space" in the early 20th century. This study attempts to examine Vakhtangov's studios in historical, social and theater-aesthetic categories. Looking into Vakhtangov's process to experiment on studios and the form of practice, the study will explore aspects of Russian theater studios movement, and this will be a process to investigate what artistic and aesthetic values are created in the 1910s-1920s, the peak of Russian plays.
#Vakhtangov #studio movement #Moscow Art Theatre #1st studio #3rd studio #Gabime studio.

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В. В. Иванов / 2016 / Евгений Вахтангов в театральной критике / Театралис google schola В. В. Иванов / 2011 / Евгений Вахтангов: Документы и свидетельства: В 2 т / Индрик google schola Л. Д. Вендровской / 1984 / Евгений Вахтангов: Сборник / ВТО google schola 스타니슬랍스키 / 2006 / 나의 예술인생 / 이론과 실천 google schola 전정옥 / 2018 / 연극과 혁명 - 혁명 전후 메이에르홀드 무대의 실험과 혁신을 중심으로 - / 한국연극학 1(66):99~145 dbpia

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