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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2020.3
- 수록면
- 265 - 296 (32page)
- DOI
- 10.24152/NCLE.2020.3.24.1.265
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초록· 키워드
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What is striking about Bram Stoker’s Dracula is that it is an expanding body of allegories and symbols, which continues to feed on different contexts and discourses. Almost all major readings of the text in recent decades are defined by an effort to find various meanings and concepts behind major characters or events for their allegorical consideration. The purpose of this essay is to examine how these symbolic transpositions can be viewed as part of a historical path of stylistic shifts in 19th-century Gothic fiction. By the historical path, I am referring to the way in which the allegorical process of figural conceptualization in Gothic fiction is informed by the scientific pursuit of physiological realism and negotiations expanding across the broad spectrum of knowledge and representations. The point of particular attention is an increasing sense of asymmetry in Gothic fiction reflecting the way the allegorical convention of figural simplification and symbolic condensation is counterpoised by the questions of what it means to create fictional personage cast in physiological functions and imperatives. I want to argue that Gothic fiction responds to this textual tension by giving birth to monsters, a site of anomalous bodily figurations in which issues of bodily peculiarities and urges can be addressed beneath the allegorical act of moral or cultural condemnation levelled at the gross flesh of inhumanity. The essay, first of all, gives a theoretical account of allegorical formulations revolving around Gothic monsters, which reflects the shifting knowledge of the human body and its social or technological implications. With this theoretical account, the essay will embark on the reading of the two most famous Gothic novels in the 19<SUP>th</SUP> century, Frankenstein and Dracula. In doing so, the essay argues that the making of monsters at the heart of allegorical formulations reflects significant stylistic changes in relating human physiology in Gothic novels.
목차
1. Introduction
2. Gothic monsters as a form of Romantic allegory
3. Frankenstein and physiological realism
4. Dracula and physiological abstraction
Works Cited
Abstract
참고문헌 (25)
참고문헌 신청
Connor, Steven / 2015 / The Cambridge Companion to the Body in Literature / Cambridge UP :177~196
Crary, Jonathan / 1992 / Techniques of the Observer: On Vision and Modernity in the Nineteenth Century / MIT P
Crary, Jonathan / 2000 / Suspensions of Perception: Attention, Spectacle, and Modern Culture / MIT P
Gilloch, Graeme / 1996 / Myth and Metropolis: Walter Benjamin and the City / Polity
Halberstam, Judith / 1993 / Technologies of Monstrosity: Bram Stoker’s Dracula / Victorian Studies 36(3):333~352
Crary, Jonathan / 1992 / Techniques of the Observer: On Vision and Modernity in the Nineteenth Century / MIT P
Crary, Jonathan / 2000 / Suspensions of Perception: Attention, Spectacle, and Modern Culture / MIT P
Gilloch, Graeme / 1996 / Myth and Metropolis: Walter Benjamin and the City / Polity
Halberstam, Judith / 1993 / Technologies of Monstrosity: Bram Stoker’s Dracula / Victorian Studies 36(3):333~352
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