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Emergence and Communication of the Public Discourse over Gender Issues in the Korean Hip Hop Scene: A Case of the “San E vs. Jerry.K, Sleeq” Beef
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한국 힙합씬에서 젠더 이슈를 둘러싼 공적 담론의 등장과 소통: 산이 vs 제리케이, 슬릭 디스전을 중심으로

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Type
Academic journal
Author
Insuk Kim Hongkyu Ha (연세대학교)
Journal
The Korean Association for Sociology of Culture Korean Journal of Cultural Sociology Wn.28 No.1 KCI Accredited Journals
Published
2020.4
Pages
173 - 238 (66page)

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Emergence and Communication of the Public Discourse over Gender Issues in the Korean Hip Hop Scene: A Case of the “San E vs. Jerry.K, Sleeq” Beef
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Abstract· Keywords

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In November 2018, the beef between three rappers, San E, Jerry.K and Sleeq signaled the emergence of the public discourse over gender issue in Korean hip hop scene. The actors in the hip hop scene who have remained relatively silent on public issues such as the impeachment of former president Park Geun-hye began to respond actively to the gender issue. Various actors in the hip hop scene were provoked and fed into the heated debates articulating the gender issue with other issues. This study examines how and in what context the public discourse emerges in the hip hop scene, and how and on what criteria the actors, interpellated as the privatized individuals, produce and communicate the public discourse. To this end, this study analyzes the domestic bulletin boards of HIPHOPLE, an online hip hop community where Korean hip-hop issues are mainly discussed. In addition, it analyzes the interviews conducted on five underground rappers who have very contestant opinions on this beef. This study finds the dynamic process in the Korean hip hop scene in which the public discourse emerges, and shows how the individualized actors participate in the public discourse in the hip hop scene. Finally it is expected to offer an clue as to how the privatized individuals join in and separate themselves from the public sphere, not only in the hip-hop scene but also in a modern society where the individualization is accelerating.

Contents

Ⅰ. 힙합씬에서 공적 담론의 ‘핫’한 등장
Ⅱ. 공론장으로서의 힙합씬, 그리고 개인화된 행위자들
Ⅲ. 연구 대상과 연구 방법
Ⅵ. 산이 vs 제리케이, 슬릭 디스전의 등장
Ⅴ. 젠더 이슈를 둘러싼 공적 담론에의 참여
Ⅵ. 결론
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UCI(KEPA) : I410-ECN-0101-2020-330-000588197