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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 저널정보
- 중국어문학연구회 중국어문학논집 中國語文學論集 第129號
- 발행연도
- 2021.8
- 수록면
- 245 - 271 (27page)
- DOI
- 10.25021/JCLL.2021.8.129.245
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초록· 키워드
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This paper examines the development process of Qin ding bu hui Xiao Yuncong Li sao quan tu (欽定補繪蕭雲從離騷全圖), the methods of illustration and special features used for section Lisao (離騷) and the image of Qu Yuan as illustrated in section Lisao (離騷) in the book. In this study, the illustrations held in Qin ding bu hui Xiao Yuncong Li sao quan tu (欽定補繪蕭雲從離騷全圖) are reviewed in two categories: narrative and lyrical. While section Lisao (離騷) contains various narrative elements, the poem is essentially lyrical narrating about Qu yuan (屈原)"s loyalty, patriotism and the bitter sentiment towards unfairness. In general, the poetic meanings of lyrical poems are harder to describe in painting than visualizing events or situations in narrative poems. Therefore this study focuses on how the lyrical illustrations are produced. The findings of this study include that the lyrical illustrations contained in section Lisao (離騷) are visualization of the motifs and metaphors in the form of herbs and beautiful women as auxiliary concepts in the literature. In my view, the reason lies in the fact that Qu Yuan"s "original concepts" or his mind is abstract as in concepts like "loyalty," "innocence," "idealistic king," and "ideal." These are hard to depict in painting. Compared to this abstract concepts, it is not as challenging to express them in motifs such as "herbs" or "beautiful women." As a consequence, even though it is a lyrical poem hard to illustrate, Lisao (離騷) achieved a decent level of illustrating it thanks to the technique of motifs and metaphors. It is noteworthy, however, that Menyingzhao (門應兆)"s capabilities as an artist was not able to cover the full measures of the literary work and in fact one piece of the artwork is disturbing to properly appreciate the literary work. Conversely, this fact points at the challenges met in illustrating literature using the techniques of motifs and metaphors, and that in-depth understanding about an artist"s literary work is an absolute requirement for producing illustrations.
As can be predicted by the fact that Qin ding bu hui Xiao Yuncong Li sao quan tu(欽定補繪蕭雲從離騷全圖) was published by the order of Emperor Qianlong (乾隆帝), the book in general illustrates picturesque and realistic painting style rather than the artist"s special talents. Qu Yuan"s images depicted in the illustrations of Lisao (離騷) coherently reveal his appearance as a loyal subject from a Confucianism family rather than Qu Yuan"s individual characteristics. Despite these weaknesses, it is certain that Qin ding bu hui Xiao Yuncong Li sao quan tu, including illustrations contained in Chuci (楚辭) took a considerable impact in spreading Chuci across the country. During the Qing Dynasty, its readers were limited to the ruling class centered around the emperor"s royal court. From the modern age, however, it took a strong impact upon spreading Chuci (楚辭) widely among ordinary people. That is attributed to the joy of appreciating the illustrations contained in the book beyond what can be achieved by reading the literature work only.
As can be predicted by the fact that Qin ding bu hui Xiao Yuncong Li sao quan tu(欽定補繪蕭雲從離騷全圖) was published by the order of Emperor Qianlong (乾隆帝), the book in general illustrates picturesque and realistic painting style rather than the artist"s special talents. Qu Yuan"s images depicted in the illustrations of Lisao (離騷) coherently reveal his appearance as a loyal subject from a Confucianism family rather than Qu Yuan"s individual characteristics. Despite these weaknesses, it is certain that Qin ding bu hui Xiao Yuncong Li sao quan tu, including illustrations contained in Chuci (楚辭) took a considerable impact in spreading Chuci across the country. During the Qing Dynasty, its readers were limited to the ruling class centered around the emperor"s royal court. From the modern age, however, it took a strong impact upon spreading Chuci (楚辭) widely among ordinary people. That is attributed to the joy of appreciating the illustrations contained in the book beyond what can be achieved by reading the literature work only.
목차
1. 들어가며
2. 『欽定補繪蕭雲從離騷全圖』의 성립
3. 「離騷」의 圖像化
4. 맺으면서
參考文獻
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