메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색

논문 기본 정보

자료유형
학술저널
저자정보
박유정 (대구가톨릭대학교)
저널정보
대구가톨릭대학교 인문과학연구소 인문과학연구 인문과학연구 제41호
발행연도
2020.1
수록면
109 - 124 (16page)

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색

초록· 키워드

오류제보하기
This paper pursues to think about the ontological beauty in Heidegger through his interpretation of Van Gogh’s painting. At first, Heidegger doesn’t not deal with Beauty, but with Truth in interpreting Van Gogh’s painting. This attitude is originated from his intention of ontology. The Truth in which he deals with in Gogh’s painting is Aletheia, not Apophansis Truth. So according to Heidegger, Van Gogh’s painting reveals Being in which a peasant uses the shoes has unconscious Trust of her life through destroying Utility of the shoes. The revealed Being is the Truth of Aletheia, Art is establishing Being as Aletheia into artwork. This is ontological beauty in artworks. This ontological beauty in Heidegger shows that Dasein’s Existential Truth eventually contains aesthetic connotations. And Heidegger tries to destroy tradition of western metaphysics through his Fundamental Ontology. In other hands, Heidegger suggests a new horizon of aesthetics between Objective Aesthetics of Plato tradition and Subjective Aesthetics of Kant philosophy through his thinking of the ontological beauty as Aletheia of Being. To conclude, we recognize that Heidegger’s ontological beauty gives us new criteria of Truth and Beauty, and finally Heidegger’s thinking of Being leads us to a new thought paradigm through overcoming western thought tradition as Platonism.

목차

등록된 정보가 없습니다.

참고문헌 (0)

참고문헌 신청

함께 읽어보면 좋을 논문

논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!

이 논문의 저자 정보

최근 본 자료

전체보기

댓글(0)

0