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A Study on Confucian Ideal World in Ink Paintings of Joseon Period: Focusing on Literary Paintings and Four Gracious Plants Paintings
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조선시대 수묵회화의 유교적 이상세계 연구

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Type
Academic journal
Author
Chung, Dong-Hwa (원광대학교)
Journal
The Research Institute of Won-buddhist Thought Won-Buddhist Thought & Religious Culture Vol.93 KCI Accredited Journals
Published
2022.9
Pages
259 - 296 (38page)

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A Study on Confucian Ideal World in Ink Paintings of Joseon Period: Focusing on Literary Paintings and Four Gracious Plants Paintings
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Literary paintings(文人畵) and Four Gracious Plants Paintings express the literary spirit and nature of artist, as an art expresses the artist’s sentiments based on the things’ content and spirit rather than form. When the painting style of holding artistic flavor which was the description of the inner world of heart rather than the copy to seek for elaboration, was rising into power, those paintings should express the literary heart, poetical feelings, and also artistic intention through the artists describe their feelings of brush and ink into sentiments.
In the paintings of Four Gracious Plants, plums come into flowers firstly risking the intense cold of spring, orchids diffuse the subtle fragrance of summer widely, chrysanthemums overcome the first cold of the year in late autumn, and bamboos have green leaves during the winter. The peculiar characters of those four plants are compared to the personality of learned men. That means the artist’s paintings show his own status and the status is his own character at the same time.
In the last Joseon period, as Kim, Jeong-hee (金正喜, 1786~1856) who combined the literature·calligraphy·painting·epigraphy, built up a well -matched composite art world of poetry·calligraphy·painting· engraving(詩·書·畵·印), the ink paintings of Joseon period based on the Neo-Confucianism can be called the Confucian ideal world that realized the humanity of Heaven-Earth-Human into the literature through the beauty of consonance with nature (意境美), the beauty of space (餘白美), the beauty of neutralization (中和美), and the beauty of personality (人格美) in poetry·calligraphy·paintings.
#문인화 #사군자 #수묵회화 #유교 #이상향 #시서화 #literary painting #Four Gracious Plants #ink painting #Confucianism #ideal land #utopia #poetry·calligraphy·painting

Contents

요약문
Ⅰ. 머리말
Ⅱ. 문인과 문인화의 연원과 특질
Ⅲ. 조선시대 회화에 나타난 유교적 이상세계
Ⅳ. 맺음말
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