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논문 기본 정보

자료유형
학술저널
저자정보
Zheng Yujie (School of Art and Media Beijing Normal University) Wu Meng (School of Art and Media Beijing Normal University)
저널정보
대한무용학회 대한무용학회논문집 대한무용학회 논문집 제79권 제1호
발행연도
2021.2
수록면
285 - 306 (22page)

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초록· 키워드

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The ancient Chinese opera source is closely related to ancient Chinese totem worship and religious sacrificial activities, the Wu Nuo culture. The earliest exorcising culture was protected by the political, but along with the phenomenon of "the collapse of rites and music," the ruling class's art and culture moved downward, from court to folk, fusing with folk songs and dances to gradually form new art forms. Until the Yuan, Ming, and Qing Dynasties, ancient Chinese court music and dance, folk song and dance integrated into opera became the mainstream art forms. Hunan Flower-drum Opera is one of the arts of Chinese opera. Its development is similar to that of ancient Chinese opera. It has a high research value and aesthetic value. Therefore, this study explores the Hunan Flower-drum opera's development from a historical longitudinal perspective and uses the full timeline of exorcising Chinese culture as the starting point to explain Hunan Flower-drum opera's story. It was positioning the Flower-drum Opera as the research object in Hunan, China, and exploring the artistic characteristics left over by the ancient Chinese exorcising culture. Simultaneously, exploring the exorcising culture in Hunan Flower-drum Opera can explain and analyze the formation reasons and style characteristics of ancient Chinese court music and dance and folk song and dance. It also provides a new research basis for the inheritance and development of contemporary Hunan Flower-drum Opera.

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