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논문 기본 정보

자료유형
학술저널
저자정보
김주희 (성균관대학교)
저널정보
한국리듬운동학회 한국리듬운동학회지 한국리듬운동학회지 제16권 제1호
발행연도
2023.4
수록면
69 - 77 (9page)

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초록· 키워드

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The purpose of this study is to reconceptualize the dance halls of Busan during the 1950s Korean War evacuation, reinterpreting them as cultural spaces. The dance halls of Busan during the Korean War evacuation were highly popular and grew rapidly in both moral and decadent contexts. They could be categorized into special dance halls, licensed dance halls, and unauthorized dance halls, mainly located within U.S. military units. The dance craze was unstoppable, held in places as varied as cabarets, coffee shops, and brothels. Unauthorized activities spurred by this craze unfortunately provided the cause for social issues and safety hazards, eventually leading to stringent legal crackdowns and drawing negative attention. However, access to the dance halls provided a sense of differentiation for soldiers, as if granted a special privilege. The dance halls within the U.S. military bases of Busan are historical sites that captured the ups and downs of history, acting as sites of healing that soothed the sorrows of suffering female evacuees. However, government regulations and media misconceptions have brought a negative portrayal for these dancing women. In the patriarchal social structure, women’s acts of dancing have become the very basis for deconstructing traditional notions of women.

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