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자료유형
학술저널
저자정보
Eonjoo Park (Jeonbuk National University)
저널정보
한국셰익스피어학회 Shakespeare Review Shakespeare Review Vol.60 No.2
발행연도
2024.6
수록면
437 - 459 (23page)

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This article seeks to examine how variations in language use between prose and verse results in a multiplicity of subtle tonal changes in Twelfth Night. The forms of prose and verse in Shakespeare’s plays have been discussed in light of the character’s class status as well as the genre. Typically, literary critics have interpreted the noble characters or tragic heros as speaking in verse while lower-class or comedic characters speak in prose. It has been also noted that noble characters tend to speak in prose when they endure exceptionally traumatic experiences. In Twelfth Night, however, Shakespeare’s linguistic variations create specific affective tones and images. In particular, lovesickness and melancholy are associated with verse forms while comedy and chaotic images are connected to prose forms. Furthermore, the tone of Twelfth Night works as a spatial concept moving between characters. Orsino’s court and Olivia’s court, in this sense, are contrasted tonally: the former is represented by melancholia while the latter is charged with comic and chaotic images. In turn, the members of each court also employ verse and prose respectively. In the process, we can see how the characters’ adherence to a specific linguistic mode represents their understanding of the dominant emotional community that they belong to and the values and emotional norms that their community propagates. Furthermore, tone in the play works via affective energies that infiltrate character’s bodies and minds. This transmission of affect ultimately reveals how Shakespeare’s linguistic exchanges can be understood as a medium of tonal and emotional changes.

목차

Ⅰ. Introduction
Ⅱ. Tone, Emotional Communities, and the Contagion of Feelings
Ⅲ. Affective Tonal Images Between Prose and Verse in Twelfth Night
Ⅳ. Conclusion
Works Cited
Abstract

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