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논문 기본 정보

자료유형
학술저널
저자정보
위보라 (국민대학교)
저널정보
대한무용학회 대한무용학회논문집 대한무용학회 논문집 제82권 제1호
발행연도
2024.2
수록면
79 - 111 (33page)
DOI
10.21317/ksd.82.1.6

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초록· 키워드

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Today in contemporary dance performance art, choreographers under- take various preparatory stages in conceiving and staging a piece. The exploration process of ideas and themes for the work is approached with a sense of responsibility and pressure. The choreographer's creative proc- ess in researching the concept of the piece's theme necessitates in-depth preliminary work, specifically within the realm of collaboration, namely, ‘the pre-production’ phase. It is within this context that the study has recognized the importance of engaging in thorough pre-production work with collaborators. After conducting pre-production research, it has been recognized that through the detailed planning and documentation process undertaken by choreographers and planners post-pre-production, a seam- less production can be organized. Therefore, this study aims to present the potential for developing a program to support the pre-production phase of dance performances, intending to provide insights into the crea- tive methods of producing dance performance art. The aim is to provide an environment where creators can develop ideas for feasible perform- ances by transcending the constraints of time and space, using photo- graphs as visual materials to discuss and share stories from different perspectives. Furthermore, the objective is to contemplate the con- ceptualization of the dance creation process, and through a program de- signed for pre-production in dance performances, present the potential and possibilities of utilizing the pre-dance creation process.

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