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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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The purpose of this paper is to show depth psychology and aesthetic feature in So-Wol's poetry. At the bottom of his works, there is a principle of the change and creation that is based on the transformation myth. The principle of the change and creation is the essential to understand life and death, it is embodied as a image of the death and rebirth in his works.
However, the image of the death and rebirth in his works has a special feature. So to speak, it reached the holy and sacred space, the same as many other ceremonies do. The poetic space which is spiritualized help the reader to broaden his aesthetic experience and pull up to a kind of religious experience.
And also this special feature means that “the death and rebirth” is related to “Nim”(Thee), the core of his works. Till now, most debaters have concentrated on separation from Nim and have read consciousness of deprival, feeling of separation, sense of futility and hopelessness, but in the other side we could know that it premise strong belief in resurrection of Nim. The belief and expectation of rebirth makes another axis and dual structure of confrontation and unification, and at last give a tension and vitality to his works.
But the belief in rebirth of Nim is possible just mythologically not really. It is embodied as the consciousness of irrevocability(non-resurrection) in his works. The idea, as we couldn't go back to our dead Nim. Nim also couldn't come back to us, is the basic sense of the consciousness of irrevocability. In the end the core of the mentality in his works is the process that the death of “Nim” bring about rebirth, the rebirth lead to the consciousness of irrevocability. It is a trace of his poetic consciousness.
However, the image of the death and rebirth in his works has a special feature. So to speak, it reached the holy and sacred space, the same as many other ceremonies do. The poetic space which is spiritualized help the reader to broaden his aesthetic experience and pull up to a kind of religious experience.
And also this special feature means that “the death and rebirth” is related to “Nim”(Thee), the core of his works. Till now, most debaters have concentrated on separation from Nim and have read consciousness of deprival, feeling of separation, sense of futility and hopelessness, but in the other side we could know that it premise strong belief in resurrection of Nim. The belief and expectation of rebirth makes another axis and dual structure of confrontation and unification, and at last give a tension and vitality to his works.
But the belief in rebirth of Nim is possible just mythologically not really. It is embodied as the consciousness of irrevocability(non-resurrection) in his works. The idea, as we couldn't go back to our dead Nim. Nim also couldn't come back to us, is the basic sense of the consciousness of irrevocability. In the end the core of the mentality in his works is the process that the death of “Nim” bring about rebirth, the rebirth lead to the consciousness of irrevocability. It is a trace of his poetic consciousness.
목차
1. 머리말
2. 변화와 생성의 원리
3. 세속과 신성의 거리
4. ‘님’의 부활과 불귀(不歸) 의식의 대립
5. 맺음말
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UCI(KEPA) : I410-ECN-0101-2009-810-013736308