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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국비평문학회 비평문학 비평문학 제19호
발행연도
2004.11
수록면
169 - 191 (23page)

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In this thesis, this paper took a deep consideration to explain confessional narratives method on Eun Hee-Gyeong's short-stories. Especially, <A Poor Wife 빈처> and < A Women That Steal Strawberries 딸기도둑> are appear first-person confessional narrator.
In summary, two narrator appear in the formet text. One narrator is a husband, and the other narrator is a his wife writing a diary. First of all, this paper analyzed confessional narrative-strategies focused on the wife writing a diary. The early part of text is revealed severance the lack of communication between the wife and her husband. But, the wife and her husband a progressively turn of thought and communicate with each other by diary. Her diary is a vehicle of their inner-communication.
Self-confessional narrator appears in the latter text. Generally, confessors confess in order to admit a crime or reflect themselves. But, confessor, Eun-Hyae, in A Women That Steal Strawberries rather criticize and overthrow a criterion or discipline than reflect herself.
So far, this paper disclosed feminine narrators in two fictions didn't go through a process of social identification but a process of social dis-identification. Feminine characrer of confessional narrator didn't subordinate herself to social community. On the contrary, feminine narrator free herself from consciousness of community by confessional narrative-strategies 'writing a diary' and 'confessing self-confession', Ultimately, process of self-identity of confessional-narrator is not assujettissement process but deterritorialisation process.
In conclusion, the study of confessional narrative-strategies latent in confessional feminine-fictions provided opportunities to differently apptoach.

목차

1. 머리말

2. 고백의 서술전략과 주체화 양상

3. 맺음말

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