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The traditional ecological novel in American literature is based on the American concept of nature from the beginning of early colonization. Especially, in the mid-19th century, the conflict between civilization and nature preservation has stimulated the creative minds of writers, who tried to reveal their psychological response in their works.
Hawthorne is one of the most significant but less known writers who contributed to the build-up of the American ecological literature. His ecological thought stems from mystic, psychological, and aesthetic recognition. He created a system of dual characterization in order to display undesired conflict and desired harmony between man and nature. He also employs the use of various backgrounds in order to reveal organic responses to the environment and milieu.
The Blithedale Romance uses one protagonist (Priscilla) and three antagonists (Hollingsworth, Zenobia and Westervelt) and one narrator (Coverdale) in order to represent Hawthorne's ideal of ecological thought. Although the writer demonstrates a certain nostalgia for the purity and humanness evidenced in nature, he cannot but accept the inevitability of an industrial and commercial invasion of the countryside.
These social aspects of the conflict are illustrated by Hawthorne's characters. Priscilla's natural disposition and ecosystem. Coverdale, Hawthorne's narrator, is transformed into another man through writing in spite of ms previous urban disposition. Zenobia drowns herself ultimately due to her artificial passion. Hollingsworth is seen to become impotent because of his selfish economic ambition. However, all the characters represent the confused social transition from ruralism into urbanism, from country into city in the 19th century America. In doing so, Hawthorne's characters and motifs offer themselves as the prototype of other American nature-oriented novels and romances.
The Blithedale Romance, despite certain literary defects, marks a touchstone worth of reinterpretaion in contemporary literature, and Hawthorne emerges as a major ecoliterary novelist building a theater on the unoccupied land between the Imaginary and the Real.
Hawthorne is one of the most significant but less known writers who contributed to the build-up of the American ecological literature. His ecological thought stems from mystic, psychological, and aesthetic recognition. He created a system of dual characterization in order to display undesired conflict and desired harmony between man and nature. He also employs the use of various backgrounds in order to reveal organic responses to the environment and milieu.
The Blithedale Romance uses one protagonist (Priscilla) and three antagonists (Hollingsworth, Zenobia and Westervelt) and one narrator (Coverdale) in order to represent Hawthorne's ideal of ecological thought. Although the writer demonstrates a certain nostalgia for the purity and humanness evidenced in nature, he cannot but accept the inevitability of an industrial and commercial invasion of the countryside.
These social aspects of the conflict are illustrated by Hawthorne's characters. Priscilla's natural disposition and ecosystem. Coverdale, Hawthorne's narrator, is transformed into another man through writing in spite of ms previous urban disposition. Zenobia drowns herself ultimately due to her artificial passion. Hollingsworth is seen to become impotent because of his selfish economic ambition. However, all the characters represent the confused social transition from ruralism into urbanism, from country into city in the 19th century America. In doing so, Hawthorne's characters and motifs offer themselves as the prototype of other American nature-oriented novels and romances.
The Blithedale Romance, despite certain literary defects, marks a touchstone worth of reinterpretaion in contemporary literature, and Hawthorne emerges as a major ecoliterary novelist building a theater on the unoccupied land between the Imaginary and the Real.
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