지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2015.12
- 수록면
- 227 - 262 (36page)
이용수
초록· 키워드
오류제보하기
This paper is to concretely identify how Western paintings have unfolded for 30 years of the first period of Korean contemporary painter"s circles. The method is to examine through the National Art Exhibition, the top authority contest exhibit those days, and analyze Western paintings exhibited in the National Art Exhibition. During some 30 years, when the contest exhibit was held, although it was recognized that conservative painting style was presented consistently, the reality was different. The figurative painting style showed three-phase changes, as if it had climbed over mountains. It showed the following three change phases: atmospheric various painting styles in the early period, a painting style enhancing factual density for object reproduction in the middle period, and a folksy, dynamic, and rural painting style in the latter part. Concerning the non-figurative painting style, three schools constituted a big trend successively. The following three abstract painting styles characterized successively heightening periods, according to each temporal characteristics: Informel painting style (10th~16th: early part), geometric abstract painting style (16th-23rd: around 1970), and single color abstract painting style (23rd-30th: latter part of the 1970s).
The Informel abstract painting style was a style reflected as a mirror of time in the revolutionary dimension, due to great incidents such as 4.19 Student Revolution, and 5.16 Coup D"etat that broke out to break down old customs. The geometric abstract painting style was a style, in which vibrant hopeful new age emerged as a mirror in the 1970s for the first time in history, thanks to dynamic economic development implementation. The single abstract painting style was a style emerging in the period of seeking Korean style image by time background rapidly growing into an industrial society through more heightening economic development in the state that contemporary Western paintings were accumulated for more than 20 years.
The main gist of this paper is that National Art Exhibition was the venue, where each painting style, created on the basis of time change, was sensitively manifested like the mirror of time, and was intertwined with the trajectory of ups and downs in each period.
The Informel abstract painting style was a style reflected as a mirror of time in the revolutionary dimension, due to great incidents such as 4.19 Student Revolution, and 5.16 Coup D"etat that broke out to break down old customs. The geometric abstract painting style was a style, in which vibrant hopeful new age emerged as a mirror in the 1970s for the first time in history, thanks to dynamic economic development implementation. The single abstract painting style was a style emerging in the period of seeking Korean style image by time background rapidly growing into an industrial society through more heightening economic development in the state that contemporary Western paintings were accumulated for more than 20 years.
The main gist of this paper is that National Art Exhibition was the venue, where each painting style, created on the basis of time change, was sensitively manifested like the mirror of time, and was intertwined with the trajectory of ups and downs in each period.
목차
I. 머리말
Ⅱ. 한국 서양화풍의 조류와 성격
Ⅲ. 맺음말
참고문헌
Abstract
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
‘한국의 회화’로서의 1990~2000년대 한국화
기초조형학연구
2016 .10
-
근대미술의 선구자 고희동의 회화세계 연구 서양화 - 요소를 절충한 한국화를 중심으로
기초조형학연구
2017 .02
-
1990년대 한국화 읽기를 위한 제언 : 박생광 이후 채색화의 부흥과 영향
미술사논단
2018 .06
-
조선 후기 남종화풍 문인산수화의 모방과 창작 : 화보의 분류 체계와 그 수용
미술사논단
2016 .06
-
고려 후기 강남경 산수화의 대두와 이곽파화풍의 전개
미술사논단
2020 .06
-
고려 중기의 북송과의 회화 교류
미술사논단
2019 .12
-
일제강점기 이상범의 신문 휘호 작품 연구
한국근현대미술사학
2022 .12
-
1920년대의 조선미전과 풍경화의 발흥
미술사논단
2024 .06
-
죽화(竹畵)의 유형과 분류체제의 정립을 위한 시론
미술사논단
2018 .12
-
고려 초기 회화의 조명
미술사논단
2019 .06
-
Re:Style
한국디자인학회 국제초대전도록
2019 .11
-
고려 말기 인물화의 제 양상 (1)
미술사논단
2020 .12
-
‘일본화’의 변천: 전후 동향을 중심으로
인물미술사학
2020 .12
-
근대 유럽에서 풍경화의 발흥과 진화
미술사논단
2022 .12
-
제1회 조선미전 동양화부의 산수풍경화
미술사논단
2024 .12
-
화문과 화제의 분류체제
미술사논단
2018 .06
-
한국 개화기의 ‘풍경화’ 유입
미술사논단
2021 .06
-
石魯(1919-1982)의 산수화에 관한 연구
미술사학
2018 .08
-
조선 후기 한궁도 연구
미술사학연구(구 고고미술)
2018 .09
-
이용우(李用雨, 1902-1952)의 ‘묵로’시대 회화 연구 : 인물화와 화조화를 중심으로
한국근현대미술사학
2018 .12
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2016-600-002370955