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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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If we could define as politics the process and behaviors that one plans a strategy or competes with any other person for the purpose of achieving one's aim, we could find easily the political aspects in our modem festivals as well as traditional festivals. Gukpung81 and campus festivals are representative cases definitely to show the political aspects of modem festivals.
But Gukpung81 was different from campus festivals in the intention of celebrating each festival, even though both of them originated in the same political economic situation. The one was such a festival through which nation's agents, who depended upon the ideology and logic behind the previous government, planned to conceal an immorality of its regime and to calm the resistance and criticism of college students. On the other hand, the other was a festival through which college students themselves designed to reveal an immorality of its regime and to demolish various contradictions of the reality. So, Gukpung81 differed from campus festival in strategy of embodying a festival. While Gukpung81 adapted a concealment strategy to cover up themselves behind the veil of a vague ideology, campus festival was revealing the idea and existence of college students more concretely by practicing the revealment strategy.
These features had an effect on the methods of organizing and performing the festivals. Gukpung81 took a style of a variety show without a specific plot, and regarded participants as only performers or passive onlookers. But campus festivals presented a striking contrast to Gukpung81, because they combined some traditional village rituals or various styles of folk rites with many practical subjects.
Both of these festivals had a political feature, but their fates were different from each other. Gukpung81 was held once only, but campus festivals had been held from 1983 to the half of 1990's because it had a traditional force.
These campus festivals bore some resemblance to the festival politics developed after the French Revolution. Innumerable folk festivals arose from the French Revolution, and they took on a violent and carnival aspect. By using the festival violence and the carnival forms of expression, folks intended to express the revolution and an ideal society which they desired eagerly. Then, elite festival was planned to suppress folk festivals and to establish a safety of society.
Gukpung81 reminds us of the elite festival in the French Revolution. But campus festivals have something in common with folk festivals in the French Revolution, in that they accepted the form and content of traditional festivals. Gukpung81, like elite festival, did not have survival forces because it was not supported by the college students. Campus festivals could be kept up continuously and had a profound influence on the whole of college culture at large, as long as their ideology could maintain a practical efficiency.
But Gukpung81 was different from campus festivals in the intention of celebrating each festival, even though both of them originated in the same political economic situation. The one was such a festival through which nation's agents, who depended upon the ideology and logic behind the previous government, planned to conceal an immorality of its regime and to calm the resistance and criticism of college students. On the other hand, the other was a festival through which college students themselves designed to reveal an immorality of its regime and to demolish various contradictions of the reality. So, Gukpung81 differed from campus festival in strategy of embodying a festival. While Gukpung81 adapted a concealment strategy to cover up themselves behind the veil of a vague ideology, campus festival was revealing the idea and existence of college students more concretely by practicing the revealment strategy.
These features had an effect on the methods of organizing and performing the festivals. Gukpung81 took a style of a variety show without a specific plot, and regarded participants as only performers or passive onlookers. But campus festivals presented a striking contrast to Gukpung81, because they combined some traditional village rituals or various styles of folk rites with many practical subjects.
Both of these festivals had a political feature, but their fates were different from each other. Gukpung81 was held once only, but campus festivals had been held from 1983 to the half of 1990's because it had a traditional force.
These campus festivals bore some resemblance to the festival politics developed after the French Revolution. Innumerable folk festivals arose from the French Revolution, and they took on a violent and carnival aspect. By using the festival violence and the carnival forms of expression, folks intended to express the revolution and an ideal society which they desired eagerly. Then, elite festival was planned to suppress folk festivals and to establish a safety of society.
Gukpung81 reminds us of the elite festival in the French Revolution. But campus festivals have something in common with folk festivals in the French Revolution, in that they accepted the form and content of traditional festivals. Gukpung81, like elite festival, did not have survival forces because it was not supported by the college students. Campus festivals could be kept up continuously and had a profound influence on the whole of college culture at large, as long as their ideology could maintain a practical efficiency.
목차
Ⅰ. 축제의 정치성
Ⅱ. 국풍81 : 은폐의 축제 정치
Ⅲ. 대동제 : 폭로의 축제 정치
Ⅳ. 풍경 감상의 소회
「축제 정치의 두 풍경 : 국풍81과 대학대동제」에 대한 토론문
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