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This paper aims to analyze the mutual relations between the widely distributed falk paintings and economic conditions in late Chosun dynasty. Although we could guess the phenomenon of this wide distribution of falk paintings was due to the political stability and economic development during the period of 18th to 19th century, we had difficulties in getting tangible written materials and previous research works on this subject. This study, therefore, was carried on the basis of the assumptions that these widely distributed falk paintings could be considered as a substantial evidence and certainly have some connections to the contemporary economic situation and that the analysis of demand and supply of these paintings could give a due to the effects of them on the contemporary economy and vice versa.
The demand of falk paintings had mainly been formed to decorate folding screens or walls in traditional Korean-style houses showing some falk beliefs and teachings of the code of conduct, or being a mere ornament. The faa that the consumers varied from Yangban to commoners means the purchasing power of commoners had been grown. The supply of the paintings had been taken either directly by the painters themselves or through the agents.
Popularization of the falk painting as a commodity triggered the promotion of material production which activated the economic development. Multi-production of material led to the way by which the painters could get the good-quality material with cheaper price. The increase of production and sales created new jobs and employment. In consequence with this, the guild of commercial painters was organized and the division of labor in production line was introduced.
The demand of falk paintings had mainly been formed to decorate folding screens or walls in traditional Korean-style houses showing some falk beliefs and teachings of the code of conduct, or being a mere ornament. The faa that the consumers varied from Yangban to commoners means the purchasing power of commoners had been grown. The supply of the paintings had been taken either directly by the painters themselves or through the agents.
Popularization of the falk painting as a commodity triggered the promotion of material production which activated the economic development. Multi-production of material led to the way by which the painters could get the good-quality material with cheaper price. The increase of production and sales created new jobs and employment. In consequence with this, the guild of commercial painters was organized and the division of labor in production line was introduced.
목차
Ⅰ. 머리말
Ⅱ. 민화의 수요
Ⅲ. 민화의 공급
Ⅳ. 맺음말
참고문헌
「민화와 경제」에 대한 토론문
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UCI(KEPA) : I410-ECN-0101-2009-380-017629256