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초록· 키워드
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To learn about how the modern poetry movement, which started in the Western world earlier, has been developed, reflected and practiced by whom and which aspects in the process of its transition to modern Korean poetry, I researched the intellectual aspect of modern poetry, which is the supposition of modernism debate in my previous studies.
I also studied, in a broader context, the functional relation between the modern era's situation and modern poetry, and the concept of western originated modernism and its literary status by connecting it with the various 20 century's trend of thoughts.
While the clear concept and categorization of modernism itself is difficult, I consulted my earlier research and continued to establish the included concept and category of modernism within the spirit of modernism.
I found that modernism in literature regards both all harmful circumstances and spirits which are the result of a one-sided acceleration of civilization as the restriction of individual freedom. It is like a revolting spirit of the times.
The world which modernism pursues is represented as an enmity against urban areas and in this case, the word enmity does not mean to destroy the whole civilization but to have the will to seek a sound civilization as its base.
In this research, I divided my study into two parts to find out how modernism, which seems to be indefinite. has been transferred and continued in literary works during the 1930' s in Korea.
In the first part, I checked the trend of the works of theorists and poets who, in any way, became involved in the Modern Korean Poetry Movement from the early 1930s to the 1950s.
The second part deals with the Korean poets of the 80's who lived during the percolating process of the first half of Korean modernism. and who are regarded as being successful, for they are based on the keen aesthetic of urban space.
I selectively took their works of this line and examined them. As a result, I found that one group takes root in Kim Choonsoo and another, Kim Sooyoung.
I also studied, in a broader context, the functional relation between the modern era's situation and modern poetry, and the concept of western originated modernism and its literary status by connecting it with the various 20 century's trend of thoughts.
While the clear concept and categorization of modernism itself is difficult, I consulted my earlier research and continued to establish the included concept and category of modernism within the spirit of modernism.
I found that modernism in literature regards both all harmful circumstances and spirits which are the result of a one-sided acceleration of civilization as the restriction of individual freedom. It is like a revolting spirit of the times.
The world which modernism pursues is represented as an enmity against urban areas and in this case, the word enmity does not mean to destroy the whole civilization but to have the will to seek a sound civilization as its base.
In this research, I divided my study into two parts to find out how modernism, which seems to be indefinite. has been transferred and continued in literary works during the 1930' s in Korea.
In the first part, I checked the trend of the works of theorists and poets who, in any way, became involved in the Modern Korean Poetry Movement from the early 1930s to the 1950s.
The second part deals with the Korean poets of the 80's who lived during the percolating process of the first half of Korean modernism. and who are regarded as being successful, for they are based on the keen aesthetic of urban space.
I selectively took their works of this line and examined them. As a result, I found that one group takes root in Kim Choonsoo and another, Kim Sooyoung.
목차
1. 선행연구의 개괄 및 후속연구로서의 본 연구의 방향
2. 1980년대 한국시의 도시적 감수성과 그 두 계열
3. 논의의 요약 및 극복되어야 할 과제
참고 문헌
Abstract
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