지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Solar pattern to symbolize and visualize the sun is expressed with the shape of a circle or combination of a circle with an auspicious bird. If so, what do the circle and auspicious bird represent in solar pattern? What kind of a bird is the auspicious bird and what do the number of legs and motions of the auspicious bird symbolize? Also, from which did the expressional differences of solar pattern originate? In this study, discussions were made on these questions and the following results were found.
Firstly, the circle among constituting elements of solar pattern reflects the infinite circular reasoning, such as the sun that keeps coming back everyday.
Secondly, the black bird introduced in solar pattern represents shamanic spirit. Or, it signifies bird of the heaven or bird of the sun that displays attributes different from those of general birds, such as migratory birds to tell coming of a new season. At the same time, the black bird symbolizes representative of the heaven.
Thirdly, the reason black bird is expressed in solar pattern is because of the composite effect of the black bird worshipped by the Eastern barbarians, transmission of myth, such as '10 suns and Yae(?) soldier' to show correlation among the sun, black bird and the Eastern barbarians, and recognition of the sun as representative image of the heaven.
Fourthly, 3 legs of the black bird introduced in solar pattern are interpreted to have been reflected with the spirit of heaven, earth and man; heaven; man's organ, and the impact of yin-yang theory that was formed during the age of civil wars.
Fifthly, black bird drawn standing still in solar pattern represents the state in which the black bird completed the mission of delivering dead spirit to the heaven or returned to the sun and settled down after delivering the god's will to the king or emperor. Also, the black bird flying horizontally or diagonally within solar pattern expresses the concept of god's will which states that kingdom is changed because the heaven's mission has been lifted and the theory of response between the heaven and man that, because the heaven and man respond to each other, authority is handed to a virtuous and benevolent ruler if a ruler continues to conduct misgovernment.
Sixthly, solar pattern consisted only of a circle represents that the sun was regarded only as the symbol of sunshine. On the other hand, solar pattern made with a circle and a black bird represents that the sun was regarded not just as a symbol of sunshine, but as the target holding eternity of repetitive life and death.
Based on the contents listed above, characteristics of solar pattern in the cultural areas of Eastern barbarians and Han Race are summarized as of the following.
Solar pattern of the Eastern barbarians is expressed with a black bird inside a shape of the sun. The bird has three legs and the motion is depicted as the state of standing still. Also, solar pattern of Han Race is omitted with black bird. Even when the black bird is expressed, characteristics of black bird, such as a crow, are not clearly depicted. On the other hand, the black bird in the state of standing still was often drawn with two legs. In some cases, the bird flying horizontally or diagonally was expressed without legs.
In summary of the discussions made so far, it is deduced that solar pattern expressed as a 'three-legged crow inside the sun' has a close relevance to the Eastern barbarians. Therefore, to regard the solar pattern in wall paintings of ancient tombs of Goguryeo displaying characteristic features of 'three-legged crown inside the sun' drawn by people of Goguryeo, the Eastern barbarians, to have independently changed and developed under the influence of solar pattern from Han-Tang period leaves a room for further discussion.
Firstly, the circle among constituting elements of solar pattern reflects the infinite circular reasoning, such as the sun that keeps coming back everyday.
Secondly, the black bird introduced in solar pattern represents shamanic spirit. Or, it signifies bird of the heaven or bird of the sun that displays attributes different from those of general birds, such as migratory birds to tell coming of a new season. At the same time, the black bird symbolizes representative of the heaven.
Thirdly, the reason black bird is expressed in solar pattern is because of the composite effect of the black bird worshipped by the Eastern barbarians, transmission of myth, such as '10 suns and Yae(?) soldier' to show correlation among the sun, black bird and the Eastern barbarians, and recognition of the sun as representative image of the heaven.
Fourthly, 3 legs of the black bird introduced in solar pattern are interpreted to have been reflected with the spirit of heaven, earth and man; heaven; man's organ, and the impact of yin-yang theory that was formed during the age of civil wars.
Fifthly, black bird drawn standing still in solar pattern represents the state in which the black bird completed the mission of delivering dead spirit to the heaven or returned to the sun and settled down after delivering the god's will to the king or emperor. Also, the black bird flying horizontally or diagonally within solar pattern expresses the concept of god's will which states that kingdom is changed because the heaven's mission has been lifted and the theory of response between the heaven and man that, because the heaven and man respond to each other, authority is handed to a virtuous and benevolent ruler if a ruler continues to conduct misgovernment.
Sixthly, solar pattern consisted only of a circle represents that the sun was regarded only as the symbol of sunshine. On the other hand, solar pattern made with a circle and a black bird represents that the sun was regarded not just as a symbol of sunshine, but as the target holding eternity of repetitive life and death.
Based on the contents listed above, characteristics of solar pattern in the cultural areas of Eastern barbarians and Han Race are summarized as of the following.
Solar pattern of the Eastern barbarians is expressed with a black bird inside a shape of the sun. The bird has three legs and the motion is depicted as the state of standing still. Also, solar pattern of Han Race is omitted with black bird. Even when the black bird is expressed, characteristics of black bird, such as a crow, are not clearly depicted. On the other hand, the black bird in the state of standing still was often drawn with two legs. In some cases, the bird flying horizontally or diagonally was expressed without legs.
In summary of the discussions made so far, it is deduced that solar pattern expressed as a 'three-legged crow inside the sun' has a close relevance to the Eastern barbarians. Therefore, to regard the solar pattern in wall paintings of ancient tombs of Goguryeo displaying characteristic features of 'three-legged crown inside the sun' drawn by people of Goguryeo, the Eastern barbarians, to have independently changed and developed under the influence of solar pattern from Han-Tang period leaves a room for further discussion.
목차
Ⅰ. 서론
Ⅱ. 日象文의 구성 요소의 상징성과 도상 해석
Ⅲ. 문화권에 따른 東夷族과 華夏族의 日象文(〈표 2〉)
Ⅳ. 결론
〈참고문헌〉
〈Abstract〉
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UCI(KEPA) : I410-ECN-0101-2009-911-014993874