지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This study used the solar patterns of the mural paintings in Goguryeo tumuli, the first solar patterns in Korea, to classify the types of solar patterns into ⅰ) auspicious birds standing in a circle with wings folded [Type Ⅰ], ⅱ) auspicious birds standing in a circle with wings spread in a semicircle [Type Ⅱ], ⅲ) auspicious birds standing about to fly off from a circle with spread wings [Type Ⅲ], and ⅳ) solar patterns consisting of circles [Type Ⅳ], and examined the changes in the types of solar patterns by period [Goguryeo, Goryeo, Joseon] from the viewpoint of transitions in world view.
As a result, this study confirmed that the 4 types of solar patterns of the mural paintings in Goguryeo tumuli were handed down to future generations in reflection of the different world views of different periods, and they looked different with the passage of time, but that the characteristics of birds of prey, such as the three feet and crows, were well reflected in the expression of auspicious birds for a long time.
Meanwhile, among solar patterns combining circles and auspicious birds, Type Ⅰ [auspicious birds standing in a circle with wings folded] can be found only in the mural paintings in Goguryeo tumuli of the early 5th century and the mid-6th century when Goguryeo had a firm independent world view, except for the few Buddhist paintings of late Joseon and monk's robes embroidered with the sun and the moon. The solar patterns of Type Ⅱ [auspicious birds standing in a circle with wings spread in a semi-circle] and Type Ⅲ [auspicious birds about to fly off from a circle] appeared in the years after the invasion of the Kitan, during Musin-jeongbyeon (coup d´etat of the military during the Goryeo dynasty), during the period of Yuan's intervention, Jungjong-banjeong (dethronement of King Jungjong), and during the period of Daehan Empire. It is noteworthy in that they appeared in periods when the invasion of foreign powers heightened the sense of independence or the legitimacy of the ruler was desperately needed. Perhaps, as the black auspicious bird of the same color as the crow signifying death is expressed in the red circular sun signifying life, the sun is not simply a symbol of Yang, but an object of eternity in which life and death are repeated. The solar patterns are thought to contain a message of hope that a bright world will come in the wake of difficult times like a national crisis or political confusion. Also, Type ⅠV solar patterns consisting of circles appeared mostly in periods when the pro- China tendency was reinforced or the small China ideology was commonplace.
The solar patterns, used as symbols of the royal authority and as decorations for the memorial service held before the grave, have served for us as a media reflecting the times including world view for a long time, and this study about solar patterns confirmed the fact that ‘culture is the vessel of the times.’ Also, it is believed that this study of traditional patterns like solar patterns, possessed of greater substantiality and objectivity than historical records which reflect the historical view of the historian, will be very instrumental and important in understanding the identity of the culture and historical traces of Korea.
As a result, this study confirmed that the 4 types of solar patterns of the mural paintings in Goguryeo tumuli were handed down to future generations in reflection of the different world views of different periods, and they looked different with the passage of time, but that the characteristics of birds of prey, such as the three feet and crows, were well reflected in the expression of auspicious birds for a long time.
Meanwhile, among solar patterns combining circles and auspicious birds, Type Ⅰ [auspicious birds standing in a circle with wings folded] can be found only in the mural paintings in Goguryeo tumuli of the early 5th century and the mid-6th century when Goguryeo had a firm independent world view, except for the few Buddhist paintings of late Joseon and monk's robes embroidered with the sun and the moon. The solar patterns of Type Ⅱ [auspicious birds standing in a circle with wings spread in a semi-circle] and Type Ⅲ [auspicious birds about to fly off from a circle] appeared in the years after the invasion of the Kitan, during Musin-jeongbyeon (coup d´etat of the military during the Goryeo dynasty), during the period of Yuan's intervention, Jungjong-banjeong (dethronement of King Jungjong), and during the period of Daehan Empire. It is noteworthy in that they appeared in periods when the invasion of foreign powers heightened the sense of independence or the legitimacy of the ruler was desperately needed. Perhaps, as the black auspicious bird of the same color as the crow signifying death is expressed in the red circular sun signifying life, the sun is not simply a symbol of Yang, but an object of eternity in which life and death are repeated. The solar patterns are thought to contain a message of hope that a bright world will come in the wake of difficult times like a national crisis or political confusion. Also, Type ⅠV solar patterns consisting of circles appeared mostly in periods when the pro- China tendency was reinforced or the small China ideology was commonplace.
The solar patterns, used as symbols of the royal authority and as decorations for the memorial service held before the grave, have served for us as a media reflecting the times including world view for a long time, and this study about solar patterns confirmed the fact that ‘culture is the vessel of the times.’ Also, it is believed that this study of traditional patterns like solar patterns, possessed of greater substantiality and objectivity than historical records which reflect the historical view of the historian, will be very instrumental and important in understanding the identity of the culture and historical traces of Korea.
목차
Ⅰ. 서론
Ⅱ. 고구려 고분 벽화의 日象文
Ⅲ. 고려시대의 日象文
Ⅳ. 조선시대의 日象文
Ⅴ. 결론
〈참고문헌〉
〈Abstract〉
참고문헌 (27)
참고문헌 신청
함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
고구려 고분 벽화에 나타난 日象文연구
고구려발해연구
2009 .07
-
日象文의 도상학적 고찰과 문화권에 따른 특징
고조선단군학
2008 .05
-
셰익스피어와 영국의 새
Shakespeare Review
2011 .12
-
日旗를 통해 본 韓ㆍ中의 日象文 形成과 展開
문화사학
2007 .06
-
[우수상(소설)] 새 새(New Bird)
숙명문학
2019 .11
-
The Culture of Listening Scripts in Korean Middle School English Textbooks
영어학
2007 .09
-
A Bird Crying in the Periphery Ⅱ
Korea Journal
1987 .12
-
A Bird Crying in the Periphery Ⅰ
Korea Journal
1987 .11
-
전통문화에 수용된 상상 동물의 도상해석학적 분석 - 사령수(四靈獸) 민화를 중심으로 -
복식문화연구
2017 .01
-
中國婚俗中漢語婚姻吉祥字、詞、語初探
중국문화연구
2012 .12
-
五代․遼․北宋代 古墳壁畵의 花鳥畵 考察
중국사연구
2014 .01
-
中韩古代禽言诗比较研究
중국어문학
2020 .01
-
The Migratory Bird
Korea Journal
1972 .08
-
Transcending Worldliness: A Wagtail by Lakeside by Jo Sok (1595-1668)
THE REVIEW OF KOREAN STUDIES
2017 .12
-
｢비잔티움으로의 항행｣과 『어쉰의 방황』에서의 새의 이미지
영어영문학연구
2012 .01
-
Traditional Patterns of Korea
Korea Journal
1973 .04
-
길동생태공원 인공새집 이용현황 분석
문학과환경
2016 .09
-
고구려 벽화고분의 類型
동북아역사논총
2009 .12
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2010-911-002399667