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This paper shows a comparative study on the South and North-Korean war-poetry from the 1950s to the latest date and those peaceful politics. These war-poetry stand for the poetry just for the reunification of Korea peninsula after the Korean-war which let the Korea peninsula cut in halves.
South Korea's war-poetry during the 1950s are characterized by two types which one is the poetry of post-communism and liberalism for the nationalism, and the other is the poetry of hometown image for the native place. Unusually North Korea's war-poetry during the 1950s are characterized by the hometown image getting loose from the socialist realism.
South Korea's war-poetry during the 1960s are characterized by the post-imperialism for the nationalism, the poetry during the 1970s are characterized by the homeland image for the nationalism, and the poetry based on the Marxism during the 1980s are characterized by the ami-USA and capitalism.
Usually the North Korea's war-poetry during the 1950s are characterized by the ami-USA for the communism, the poetry after the 1980s to the latest date are characterized by the homeland image for the nationalism, and the poetry of the latest date are characterized by the PyeongYang-tribalism for the communism which means North Korea's attempt to communize Korea peninsula.
Especially, South and North Korea's war-poetry of the hometown and homeland image for the Korean original community have significance for the reunification of Korea peninsula cut in halves. Korean original community was expressed as a land not only rising above the modern, bur also a original peace land through the both of two Korean war-poetry.
South Korea's war-poetry during the 1950s are characterized by two types which one is the poetry of post-communism and liberalism for the nationalism, and the other is the poetry of hometown image for the native place. Unusually North Korea's war-poetry during the 1950s are characterized by the hometown image getting loose from the socialist realism.
South Korea's war-poetry during the 1960s are characterized by the post-imperialism for the nationalism, the poetry during the 1970s are characterized by the homeland image for the nationalism, and the poetry based on the Marxism during the 1980s are characterized by the ami-USA and capitalism.
Usually the North Korea's war-poetry during the 1950s are characterized by the ami-USA for the communism, the poetry after the 1980s to the latest date are characterized by the homeland image for the nationalism, and the poetry of the latest date are characterized by the PyeongYang-tribalism for the communism which means North Korea's attempt to communize Korea peninsula.
Especially, South and North Korea's war-poetry of the hometown and homeland image for the Korean original community have significance for the reunification of Korea peninsula cut in halves. Korean original community was expressed as a land not only rising above the modern, bur also a original peace land through the both of two Korean war-poetry.
목차
1. 머리말
2. 평화의 정치성으로서 근대성과 탈근대성
3. 분단시와 탈근대성의 정치성
4. 통일시와 근대성 및 탈근대성의 정치성
5. 맺는말
참고문헌
〈Abstract〉
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