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자료유형
학술저널
저자정보
저널정보
한국영화학회 영화연구 영화연구 37호
발행연도
2008.8
수록면
251 - 271 (21page)

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초록· 키워드

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Syd Field and Linda Seger say that the structure of every cinema is 3acts. Act I is setup, ActⅡ is confrontation, ActⅢ is resolution. To Syd Field A plot point can be anything : a shot, a scene, a sequence, an action, anything that moves the story forward. Plot point1 is to the end of act Ⅰ and plot point2 is to the end of act Ⅱ. The plot point is an incident, episode, event that hooks into action and spins it around another direction, direction being a line of development. Linda Seger insists the plot point raises the central question again and makes us wonder about the answer. ActⅡ is made of the first half and the second half. Pinch1 is on the middle of the first half and Pinch2 is on the middle of the second half. The main purpose of pinch to keep the story on track. Mid point is on the middle of act Ⅱ. Mid point makes the story line become a specific line of action. Also the mid point makes the dramatic context of ActⅡ changed.
Syd Field and Linda Seger have analyzed many films. But they haven't analyzed a difficult modernism film or a difficult postmodernism film. It is doubtful whether their insists about the 3 acts structure are right. So this thesis needed to interpret and analyze a difficult modernism film and a difficult postmodernism film to testify their insists. Fellini's 8 and 1/2 and Joel & Ethan Coen brothers' Barton Fink were selected. Purpose of this thesis is to analyze the paradigms, the 3 acts structures of 8 and 1/2 and Barton Fink.
At first this thesis do interpret the secret meaning of 8 and 1/2 and Barton Fink. The key ward of the secret meaning is a self-reflexive author. This thesis allows the interpret of the two texts to have many pages.
And this thesis do analyze the paradigms, the 3 acts structures of 8 and 1/2 and Barton Fink. This thesis do prove them well-made 3 acts structures.

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1. 머리말
2. 몸말
3. 꼬리말
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Abstract

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