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초록· 키워드
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On the wall paintings of the Koguryo remains shows men who are wearing official hats. Most of them were displayed wearing a single topknot and in the Gipan, military officials, wrestlers, and strong men appeared with double topknots.
There are various types of hairstyle of woman shown on me wall paintings of me Koguryo remains. It is divided into 4 main types of hairstyle, me high knotted hairstyle, backed hairstyle, tied hairstyle, and twin-knotted hairstyle. The knotted hairstyle is again divided into me twist-knotted hairstyle and loop-knotted hairstyle. In this case, a wig is used in me loop-knotted hairstyle. A wig which is put on top of a knotted hair is called a Hwan-gae. These kind of hair style with 2~3 loops could be seen on me women pictured on me wall paintings of Anak # 1 ruin, Anak # 3 ruin, Yak-su-ri wall painting ruin, and Gam-shin-chong ruin. Most of me maiden women were displayed with tied hairstyle while married women with back-knotted hairstyle on the wall paintings of Ssang-yong-chong.
On the wall painting of Mo-yong-chong, women who were carrying food ere doing the high knotted hairstyle, which was no different with the hairstyle of the Josun dynasty. It is similar to modem women hairstyles. The way it leveled its outer part of the hair is similar to me hairstyle of me women on me Takamaschuka wall painting of Japan. There are also side lowered hairstyles, hood, and hair bands worn by me women on me paintings. A Gungik is not a hwadwear but a adornment worn by noble women. It is a wig made with real hair to be exact.
The hairstyle shown on me paintings of me cross-knotted hairstyle of North Wei and Anak #3 ruin are identical and the wall paintings in me Pyongyang area shows that me neighboring countries gave some influence. Since Pyongyang was influenced by foreign styles huge wigs with fancy shapes were the trend at that time. It took a great deal of time and cost for these kinds of hairstyle, and this is evidence that Goguryo was economically and politically stable at that time. The wall paintings in the Gipan area shows that noble women usually tied or knotted their hair. The reason for this is because there were many nomadic tribes in that area.
The hairstyle of Goguryo in the 4th~5th century was up-style and decorative. In the 6th century, the hairstyles became lowered, simple, and covered by a pigtail or just tied back. As you can see, the 4th~5th century Goguryo period was influenced by the Han dynasty and in the 6th century by the Northern natives.
Cosmetic is an act of modifying and making up ones features so they can correspond with the agreed elements of beauty of that period and culture. The women in the wall paintings of Anak #3 ruin, Chun-wang-ji-shin-chong, Sosanri, Ssang-yong-chong shows that they used lipsticks and eyebrow cosmetics, which is evidence that there were actually cosmetics during that period.
In the wall paintings of Koguryo, you can see that the women colored their eyebrows black and used rouge and lipstick for their lips. It is assessed that they also used perfumed oil and gluing substances such as oil or grass for their hair. Cosmetics developed because of the influence of Buddhism and cultural ideologies. This lead to the popularization of perfumeries and bathing. Cosmetics are identical to the 'spirit and the fresh' ideology and is based on the taboo of shamanism.
There are various types of hairstyle of woman shown on me wall paintings of me Koguryo remains. It is divided into 4 main types of hairstyle, me high knotted hairstyle, backed hairstyle, tied hairstyle, and twin-knotted hairstyle. The knotted hairstyle is again divided into me twist-knotted hairstyle and loop-knotted hairstyle. In this case, a wig is used in me loop-knotted hairstyle. A wig which is put on top of a knotted hair is called a Hwan-gae. These kind of hair style with 2~3 loops could be seen on me women pictured on me wall paintings of Anak # 1 ruin, Anak # 3 ruin, Yak-su-ri wall painting ruin, and Gam-shin-chong ruin. Most of me maiden women were displayed with tied hairstyle while married women with back-knotted hairstyle on the wall paintings of Ssang-yong-chong.
On the wall painting of Mo-yong-chong, women who were carrying food ere doing the high knotted hairstyle, which was no different with the hairstyle of the Josun dynasty. It is similar to modem women hairstyles. The way it leveled its outer part of the hair is similar to me hairstyle of me women on me Takamaschuka wall painting of Japan. There are also side lowered hairstyles, hood, and hair bands worn by me women on me paintings. A Gungik is not a hwadwear but a adornment worn by noble women. It is a wig made with real hair to be exact.
The hairstyle shown on me paintings of me cross-knotted hairstyle of North Wei and Anak #3 ruin are identical and the wall paintings in me Pyongyang area shows that me neighboring countries gave some influence. Since Pyongyang was influenced by foreign styles huge wigs with fancy shapes were the trend at that time. It took a great deal of time and cost for these kinds of hairstyle, and this is evidence that Goguryo was economically and politically stable at that time. The wall paintings in the Gipan area shows that noble women usually tied or knotted their hair. The reason for this is because there were many nomadic tribes in that area.
The hairstyle of Goguryo in the 4th~5th century was up-style and decorative. In the 6th century, the hairstyles became lowered, simple, and covered by a pigtail or just tied back. As you can see, the 4th~5th century Goguryo period was influenced by the Han dynasty and in the 6th century by the Northern natives.
Cosmetic is an act of modifying and making up ones features so they can correspond with the agreed elements of beauty of that period and culture. The women in the wall paintings of Anak #3 ruin, Chun-wang-ji-shin-chong, Sosanri, Ssang-yong-chong shows that they used lipsticks and eyebrow cosmetics, which is evidence that there were actually cosmetics during that period.
In the wall paintings of Koguryo, you can see that the women colored their eyebrows black and used rouge and lipstick for their lips. It is assessed that they also used perfumed oil and gluing substances such as oil or grass for their hair. Cosmetics developed because of the influence of Buddhism and cultural ideologies. This lead to the popularization of perfumeries and bathing. Cosmetics are identical to the 'spirit and the fresh' ideology and is based on the taboo of shamanism.
목차
Ⅰ. 서론
Ⅱ. 고구려의 머리모양
Ⅲ. 고구려의 화장문화
Ⅳ. 주변국가의 머리모양과 화장
Ⅴ. 결론
〈Abstract〉
〈참고 문헌〉
「壁畵에 나타난 高句麗의 머리모양과 化粧文化」討論文
참고문헌 (26)
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