지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Ancient tomb of painting of hunting is reflecting the ideology which the life is going after death which the life is firmly related with owners and Wishing continue the same life after his death. Painting of hunting is often shown in Stone of painting in China. The background that the materials from foreign culture are chosen and shown in Koguryo dynasty ancient tomb is because the ancient people are wishing resurrection and revivals in ceremony concentrated on sacrificing a deer in the shaman society as it is. The belief that, the posthumous life is only change the place and not very different with before life, is affected to the paintings. To see the consists of the mural painting, in tomb of mural, the ground owner's ideal of life continuous is expressed and in ceiling and connection part to ceiling, it expressed the sky portion.
Mainly, hermit, various kind of god such as auspicious animal, Four god, Sewoangmo(西王母) are shown in sky world of mural painting of tomb. Also the painting of hunting in PyungYang, these kind of god beings' world is described. The reason god beings are captures mainly is there is hermit ideology in Koguryo dynasty which is leaded Sewoangmo(西王母) belief. Most of the god beings in Paintings are of Sanhaegyung(『三海經』) which is the source of Sewoangmo(西王母) belief popular in China before Taoism was completed in AD5C, belief thought
Gonryunsan(崑崙山) in Sanhaegyung(『三海經』) with a thought of which it can be connect to sky through out the core of world is based on a thought of animal of world. Also the concept achieving eternal life after a taoist hermit with supernatural powers(昇仙) is the belief based with mountain adoration. Ceremony concentrated on sacrificing a deer in the shaman society has a similarity in aspect that it is wishing a resurrection and revival through sacrificed animal In Koguryo dynasty deer is often use as sacrificed animal it is because deer is the typical animal symbolizing animal of world. As the same reason, tile scene of hunting a sacrificing animals such as deer in mountain is often selected.
In the background scene of hunting of painting, there is mountains, trees and various animals. This scenery is closed to of mountains including Gonryunsan(崑崙山) appears with immortal tree and pharmaceutical materials of immortality in Sanhaegyung(『三海經』). Painting of hunting has a character of resurrection and revival as it has. And is similar to a fairly land(仙境) the place of achievement of eternal life of hermit ideology. This similarity could be a background that Painting of hunting form a portion of sky world.
It grounded that the Painting of hunting went back to the sky from Koguryosociety, the stream of Suprnatural beigs of belief(神仙信仰) was effected. Painting of hunting in sky is one of the expression of attention to the sky in AD5C Koguryo society especially in Pyungyang. The attention to sky, in other word, the 昇仙 of Suprnatural beigs of belief(神仙信仰) is also shown in owner of tomb's painting including painting of hunting, As time goes, owner of tomb desire is tum to the sky in order to a taoist hermit with supernatural powers(昇仙). However, it could not be supernatural being because it is still stay inside of tumulus.
Paintings of hunting in sky in Pyungyang area also expressed the owner hunting in the sky the same as his hunting appearance before his death. And the stream of change the place to sky is the same. Therefore, the sky painting of hunting occurred during the owner an (shown after 6C ambassador level) be sublimated to the sky. And the previous philosophy of life and death of Koguryo people changed from the idea that the world is going after death to a taoist hermit with supernatural powers(昇仙) is well expressed here, painting of hunting in sky.
Furthermore, the belief of Sewoangmo(西王母) is distributed in 5C Koguryo but the it is only shown the specific appearance in Gansintomb(龕神?) tumuluses limitedly. Also it was understood that it has difference of degree compared to Han of China which the belief of Sewoangmo(西王母) effected even to politics. Rather than the world of Sewoangmo(西王母)'s Gonryunsan, hunting was more familiar to Koguryo people and it is a fairly land(仙境) which is close to their life of hunting. In this aspect, the hunting and the painting of hunting in the sky is the the understanding of ideal world of Koguryo.
Mainly, hermit, various kind of god such as auspicious animal, Four god, Sewoangmo(西王母) are shown in sky world of mural painting of tomb. Also the painting of hunting in PyungYang, these kind of god beings' world is described. The reason god beings are captures mainly is there is hermit ideology in Koguryo dynasty which is leaded Sewoangmo(西王母) belief. Most of the god beings in Paintings are of Sanhaegyung(『三海經』) which is the source of Sewoangmo(西王母) belief popular in China before Taoism was completed in AD5C, belief thought
Gonryunsan(崑崙山) in Sanhaegyung(『三海經』) with a thought of which it can be connect to sky through out the core of world is based on a thought of animal of world. Also the concept achieving eternal life after a taoist hermit with supernatural powers(昇仙) is the belief based with mountain adoration. Ceremony concentrated on sacrificing a deer in the shaman society has a similarity in aspect that it is wishing a resurrection and revival through sacrificed animal In Koguryo dynasty deer is often use as sacrificed animal it is because deer is the typical animal symbolizing animal of world. As the same reason, tile scene of hunting a sacrificing animals such as deer in mountain is often selected.
In the background scene of hunting of painting, there is mountains, trees and various animals. This scenery is closed to of mountains including Gonryunsan(崑崙山) appears with immortal tree and pharmaceutical materials of immortality in Sanhaegyung(『三海經』). Painting of hunting has a character of resurrection and revival as it has. And is similar to a fairly land(仙境) the place of achievement of eternal life of hermit ideology. This similarity could be a background that Painting of hunting form a portion of sky world.
It grounded that the Painting of hunting went back to the sky from Koguryosociety, the stream of Suprnatural beigs of belief(神仙信仰) was effected. Painting of hunting in sky is one of the expression of attention to the sky in AD5C Koguryo society especially in Pyungyang. The attention to sky, in other word, the 昇仙 of Suprnatural beigs of belief(神仙信仰) is also shown in owner of tomb's painting including painting of hunting, As time goes, owner of tomb desire is tum to the sky in order to a taoist hermit with supernatural powers(昇仙). However, it could not be supernatural being because it is still stay inside of tumulus.
Paintings of hunting in sky in Pyungyang area also expressed the owner hunting in the sky the same as his hunting appearance before his death. And the stream of change the place to sky is the same. Therefore, the sky painting of hunting occurred during the owner an (shown after 6C ambassador level) be sublimated to the sky. And the previous philosophy of life and death of Koguryo people changed from the idea that the world is going after death to a taoist hermit with supernatural powers(昇仙) is well expressed here, painting of hunting in sky.
Furthermore, the belief of Sewoangmo(西王母) is distributed in 5C Koguryo but the it is only shown the specific appearance in Gansintomb(龕神?) tumuluses limitedly. Also it was understood that it has difference of degree compared to Han of China which the belief of Sewoangmo(西王母) effected even to politics. Rather than the world of Sewoangmo(西王母)'s Gonryunsan, hunting was more familiar to Koguryo people and it is a fairly land(仙境) which is close to their life of hunting. In this aspect, the hunting and the painting of hunting in the sky is the the understanding of ideal world of Koguryo.
#수렵도
#평양지역
#생사관(生死觀)
#천상수렵도(天上狩獵圖)
#계세사상(繼世思想)
#신선사상(神仙思想)
#승선(昇仙)
#선경(仙境)
#재래신앙
#Paninting of the hunting
#Area of Pyung-yang
#Idea of life and death
#Painting of the hunting in heaven
#Ideology which the life is going after death
#Immortalism
#A taoist hermit with supernatural powers in flight soaring
#Farily land
#Traditional belief
목차
Ⅰ. 머리말
Ⅱ. 고구려의 狩獵과 재래신앙
Ⅲ. 평양지역 狩獵圖의 분석
Ⅳ. 天上狩獵圖의 출현과 生死觀의 변화
Ⅴ. 맺음말
〈참고자료〉
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
The Right Use of the Sky
Korea Journal
1984 .10
-
윤동주 시에 나타난 ‘하늘’의 형이상학
비평문학
2010 .06
-
청동기시대 함정유구의 구조분석과 성격 검토 - 울산, 춘천 지역 유적을 중심으로 -
헤리티지:역사와 과학
2013 .01
-
高句麗 壁畵에 보이는 기사(騎射)에 關하여
고구려발해연구
2004 .06
-
The Winter Sky
Korea Journal
1978 .02
-
Fly to the sky
자음과모음
2013 .08
-
Wall Paintings of Koguryo Tombs
Korea Journal
1966 .04
-
조선전기 農本主義와 捕虎政策
역사와 담론
2005 .09
-
Korean Painting
Korea Journal
1979 .04
-
奉使圖의 建築에 관한 小考
아시아문화연구
2000 .02
-
5세기 고구려와 북위의 고분미술의 畫稿의 전래와 적용
고구려발해연구
2019 .07
-
고구려 고분벽화의 놀이문화
한국고대사연구
2006 .09
-
회화적 추상과 소설의 형식 : 최인훈의 〈하늘의 다리〉
비평문학
2010 .06
-
A Study of Traditional Korean Painting
Korea Journal
1979 .01
-
Beneath the Blue Sky
Korea Journal
1966 .02
-
고구려 벽화를 통해서 본 고구려의 정체성 연구
고구려발해연구
2007 .12
-
韓國 美術史에서 차지한 高句麗 壁畵의 位置 : 材料技法을 中心으로
고구려발해연구
2003 .12
-
平昌黃柄山사냥民俗 考察
강원민속학
2014 .12
이 논문의 저자 정보
이 논문과 함께 이용한 논문
고구려 고분벽화에 내재된 선·불 혼합적 내세관을 통한 한국적 이상향의 원류에 관한 연구 : 고구려 벽화에 드러난 ‘정토 및 선계’를 중심으로
김건희
한국학연구
2012
.12
高句麗의 狩獵習俗과 遊牧民 : 1~2세기 鮮卑族과의 관계를 중심으로
徐榮敎
,
姜仙
고구려발해연구
2005
.12
韓國 美術史에서 차지한 高句麗 壁畵의 位置 : 材料技法을 中心으로
李鍾祥
,
李源福
고구려발해연구
2003
.12
高句麗 壁畵에 보이는 高句麗의 戰術과 武器 : 기병무장과 그 기능을 중심으로
徐榮敎
,
金性泰
고구려발해연구
2004
.06
고구려 벽화를 통해서 본 고구려의 정체성 연구
박아림
고구려발해연구
2007
.12
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2009-911-019478550