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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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The aim of this study is to examine the reasons why Man'y?gana 氣 represented two borrowed sounds /ke/ and /ge/ in Old Japanese literature. In Old Japanese Japan had no its own writing system which caused it to use Chinese characters to express its language. Therefore, Japanese had to depend on Chinese characters, one of which was 氣. 氣 was semi-voiceless in Ancient Chinese, which means voiceless and aspirated stop. However, Japanese used it not only as an unaspirated stop but as a voiced one. Preceding studies have shown that the voiced usage of 氣 was general phenomenon in Man'y?sh?. But I thought there must have been certain reason or reasons different from ‘general'. So I studied on this phenomenon in Old Japanese literature.
After analyzing the usages of 氣, I have reached the following conclusions :
1) In Old Japanese literature 氣 had two borrowed sounds /ke/ and /ge/. However, the two sounds were not used through the division of historical periods concerning the Man'y?sh? or A Collection of a Myriad Leaves, but during the third period (711-733 A.D.), especially the fourth period (734-759 A.D.) with the rate 96.5%, that is, 82 examples among 85.
2) We can say that generally the two usages in 氣 appeared in the fourth
period, because 6 poets, except ?tomono-Yakamochi, made use of 氣 as /ke/
and /ge/ even in the same poems.
3) The fact 氣 represented /ge/ in the Old Japanese literature means that it
reflected the devoicing of initials during the Tang Dynasty(618-907 A.D.) in
the North.
4) Many Man'y?gana were under the influence of Korean writing system which employed Chinese charaters to represent the Korean language, but the 氣 evolved itself in Japan without its inflence.
After analyzing the usages of 氣, I have reached the following conclusions :
1) In Old Japanese literature 氣 had two borrowed sounds /ke/ and /ge/. However, the two sounds were not used through the division of historical periods concerning the Man'y?sh? or A Collection of a Myriad Leaves, but during the third period (711-733 A.D.), especially the fourth period (734-759 A.D.) with the rate 96.5%, that is, 82 examples among 85.
2) We can say that generally the two usages in 氣 appeared in the fourth
period, because 6 poets, except ?tomono-Yakamochi, made use of 氣 as /ke/
and /ge/ even in the same poems.
3) The fact 氣 represented /ge/ in the Old Japanese literature means that it
reflected the devoicing of initials during the Tang Dynasty(618-907 A.D.) in
the North.
4) Many Man'y?gana were under the influence of Korean writing system which employed Chinese charaters to represent the Korean language, but the 氣 evolved itself in Japan without its inflence.
목차
1. 서론
2. 선행연구
3. 萬葉集 이외 문헌의 氣
4. 萬葉集의 氣
5. 한국 자료의 氣
6. 결론
【?考文?】
要旨
참고문헌 (32)
참고문헌 신청
1. [단행본] - 김대성 / 2003 / 고대 일본어의 음운에 대하여 / 제이앤씨 : 106 ~ 107
2. [단행본] - 김용옥 / 1992 / 동양학 어떻게 할 것인가 / 통나무 : 349 ~ 361
3. [단행본] - 安熙貞 / 2004 / 古代日本語の用字法?究 / 제이앤씨 : 210 ~ 241
4. [학술지(정기간행물)] - 李敦柱 / 1990 / 鄕歌 用字 중의 ‘賜’字에 대하여 / 국어학 20 : 72 ~ 89
5. [단행본] - 한국고대사회연구소 / 1992 / 역주한국고대금석문Ⅰ(고구려?백제?낙랑 편) / 가락국사적개발연구원
2. [단행본] - 김용옥 / 1992 / 동양학 어떻게 할 것인가 / 통나무 : 349 ~ 361
3. [단행본] - 安熙貞 / 2004 / 古代日本語の用字法?究 / 제이앤씨 : 210 ~ 241
4. [학술지(정기간행물)] - 李敦柱 / 1990 / 鄕歌 用字 중의 ‘賜’字에 대하여 / 국어학 20 : 72 ~ 89
5. [단행본] - 한국고대사회연구소 / 1992 / 역주한국고대금석문Ⅰ(고구려?백제?낙랑 편) / 가락국사적개발연구원
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UCI(KEPA) : I410-ECN-0101-2009-913-018527721