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자료유형
학술저널
저자정보
저널정보
고려대학교 한국학연구소 한국학연구 한국학연구 제16집
발행연도
2002.6
수록면
167 - 192 (26page)

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초록· 키워드

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The three short stories covered in this study - Kim Dong-in's "Potato", Chun Young-tak's "Hwasuboon", and Hyun Jin-kun's "Lucky Day"-are representative of 1920's literature which covered the correlation of poverty and death. These three stories discuss the reality of the poverty which occurred as a direct result of the seizure of farmlands and farm produce under Japanese Imperialism. The main topic of this study is to reveal the assumption that due to the influences of that period, poverty and death were inevitable. The following discussion will cover two main topics. The first topic is that the aesthetic contemplation of death is directly pertinent to the inherent nature of these stories. The other topic is that it is characterstic of the plot of these short stories to investigate the influence of poverty and death. To further study the second topic, the following studies were conducted: "Potato" contemplates the relationship between the reality of poverty and sexual morality. "Hwasuboon" contemplates the relationship between the reality of poverty the love of family. "Lucky Day" contemplates the relationship between the reality of poverty and daily labors. A third topic reinvestigates the rhetorical side of poverty and death discussed in the second topic. This topic reinvestigates the aesthetic plot as a supplement to the formal side of the contents. As a final topic, we investigate the creation of literature and its influence on social conditions. All three stories share the same point of view that the reality of poverty was related to the main problems of contemporary life. However, historians hold the point of view that life and death, wealth and poverty, and other bright and dark points constantly coexist in human society. As the problems between humanity and society, and society versus the individual exist throughout all periods of time, the deaths covered in these stories do not give special attention to those factors since they could occur in any society and age, not just specifically the 1920's.

목차

1. 시대적 인식으로서의 가난과 죽음
2. 가난과 죽음의 유형적 검토
3. 가난과 죽음의 수사학적(修辭學的) 측면
4. 결론
참고 문헌
Abstract

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UCI(KEPA) : I410-ECN-0101-2010-911-002512940