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논문 기본 정보

자료유형
학술저널
저자정보
李昌炅 (신구대학)
저널정보
아시아민족조형학회 아시아민족조형학보 아시아民族造形學報 通卷 第10輯
발행연도
2011.12
수록면
87 - 96 (10page)

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In ancient times, it was the authors who produced knowledge, but it was masters craftsman who produced media for delivering produced knowledge. If it had not been for the masters who produced traditional books, there would have not been transmission of knowledge. The purpose of this study is to look over master system which had been in charge of production of traditional books in ancient Korean times, and to review the policies and conditions taken to preserve functions that the master system had developed.
In Chosun Dynasty, the Kyeong Kook Dae Jeon, the national law books, stipulates manpower to publish traditional books, which in turn means it was a very specialized area. In addition, a printing supervisor and a proofreading supervisor were appointed to make it sure there should be no typos and errors in content. This is an important element that makes it possible to produce high quality books.
When this tradition faced danger of disappearance, the government enacted a law on intangible cultural assets in 1962 to designate, protect and cultivate intangible cultural assets such as master craftsman of paper, master craftsman of metal type, master craftsman of wooden type, and master craftsman of side graft, etc. The action was positive that it was an opportunity to stop severance of functions in one hand. On the other hand, some questions have been raised regarding spread of functions.
Many local governments hold festivals for the purpose of linking with cultural industry, turning into tourism products, and diffusion of traditional culture. However, the festivals are led by governments and there are not enough programs for residents to participate in.
National Research Institute of Cultural Heritage supplies visual aids and books that show actual scenes of important intangible cultural heritages. This project needs experts" participation for the improvement of quality and diffusion of intangible cultural heritages.
It is required that the preservation and transmission of intangible cultural heritages to be free from practical and commercial consideration. It is required that the preservation and transmission of intangible cultural heritages to be pushed ahead with a pure purpose: conservation and preservation of tradition.

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Abstract
Ⅰ. 머리말
Ⅱ. 典籍 出刊 匠人의 組織과 位置
Ⅲ. 典籍出刊 技能의 傳承과 擴散
Ⅳ. 맺는말
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UCI(KEPA) : I410-ECN-0101-2013-620-001224903