지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
이 논문의 연구 히스토리 (8)
2006
- 이 논문의 후속연구가 궁금하신가요?
- 연관 학술논문 또는 학술발표를 통해 보다 발전된 연구결과를 확인하실 수 있습니다.
- 이 논문의 연구 히스토리 확인하기
초록· 키워드
오류제보하기
This writing wished to make clear special quality by way of investigating Ko, Seok-Gyu"s criticism in rhetorical viewpoint on the basis of important results of former study. This writing analyzed deeply text equivalent to stylistics among Ko, Seok-Gyu"s criticism especially for this.
Direction of Style is included to "general theory of style". Ko, Seok-Gyu"s viewpoint about style can be summarized synthesis of epistemology and expression theory. He wishes to make clear style in viewpoint of physiology and psychology, and he discuss about tendency of psychologism of style. And after he discuss about gestalt psychology, correlate style with grammatical dimension of tense, aspect, mood, voice.
Modern Poetry and Figure is included to "poetic stylistics". Ko, Seok-Gyu divides statement with pseudo-statement, and he points out that pseudostatement helps the similar imagination by analogy. He gives poetic privilege to intuition than analogy as he compares analogy with intuition. Ko, Seok-Gyu explains to dimension of "statement" correlating "simile" with "analogy", while he explains to dimension of "pseudo-statement" correlating "metaphor" with "intuition". And he connects interest about figure with metaphysical effort. We can summarize that Ko, Seok-Gyu"s poetic stylistics is "pseudo-statement-intuition-metaphor and symbol-metaphysics".
Critic"s style, Critic"s culture, Critical Moral and Method is included to "critical stylistics". Ko, Seok-Gyu requests critic"s style that means style that unify "contents(universality)" and "form(individual)". Also he refers that "self-injection" is requested in critic"s style, and presents the power of conception as futuristic "yearning" through past and present. Ko, Seok-Gyu"s critical stylistics shows synthetic viewpoint which consider self-injection and yearning as well as contents and form of literature text. Ko, Seok-Gyu"s criticism synthesizes organically two faces, that is poetic truth and poetic beauty, ideological element and emotional element, thought and expression, meaning and language. And his criticism is spreaded to dimension of action and utility exceeding dimension of moral and method.
Direction of Style is included to "general theory of style". Ko, Seok-Gyu"s viewpoint about style can be summarized synthesis of epistemology and expression theory. He wishes to make clear style in viewpoint of physiology and psychology, and he discuss about tendency of psychologism of style. And after he discuss about gestalt psychology, correlate style with grammatical dimension of tense, aspect, mood, voice.
Modern Poetry and Figure is included to "poetic stylistics". Ko, Seok-Gyu divides statement with pseudo-statement, and he points out that pseudostatement helps the similar imagination by analogy. He gives poetic privilege to intuition than analogy as he compares analogy with intuition. Ko, Seok-Gyu explains to dimension of "statement" correlating "simile" with "analogy", while he explains to dimension of "pseudo-statement" correlating "metaphor" with "intuition". And he connects interest about figure with metaphysical effort. We can summarize that Ko, Seok-Gyu"s poetic stylistics is "pseudo-statement-intuition-metaphor and symbol-metaphysics".
Critic"s style, Critic"s culture, Critical Moral and Method is included to "critical stylistics". Ko, Seok-Gyu requests critic"s style that means style that unify "contents(universality)" and "form(individual)". Also he refers that "self-injection" is requested in critic"s style, and presents the power of conception as futuristic "yearning" through past and present. Ko, Seok-Gyu"s critical stylistics shows synthetic viewpoint which consider self-injection and yearning as well as contents and form of literature text. Ko, Seok-Gyu"s criticism synthesizes organically two faces, that is poetic truth and poetic beauty, ideological element and emotional element, thought and expression, meaning and language. And his criticism is spreaded to dimension of action and utility exceeding dimension of moral and method.
#수사학
#문체론
#인상
#표현
#생리
#심리
#문법
#시간의식
#의기술
#직관
#은유
#상징
#형이상학
#내용
#방법
#자기 투입
#동경
#작용
#효용
#rhetoric
#stylistics
#impression
#expression
#physiology
#psychology
#grammar
#time consciousness
#pseudo-statement
#intuition
#metaphor
#symbol
#metaphysics
#contents
#method
#self-injection
#yearning
#action
#utility
목차
1. 머리말
2. 문체 일반론 - 인상과 표현, 생리와 심리, 문법과 시간의식
3. 시적 문체론 - 의기술과 직관, 은유와 상징, 형이상학
4. 비평적 문체론 - 내용과 방법, 자기 투입과 동경, 작용과 효용
5. 맺음말
참고문헌
Abstract
참고문헌 (2)
참고문헌 신청
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2014-802-001207044