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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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This writing had research subjects as three pieces of movies titled 〈Xiu Xiu〉(1998),〈The Foliage〉(2003),〈The Love of the Hawthorn Tree〉(2010), which addressed Down to the Countryside in ‘Educated Youth’.
Through analyzing these films, it examined how her ego and body are disrupted and destroyed in the space of political violence while being together with a sight of a girl in the man-in-the-middle position, not weak and fragile senior, child, and boy, who are exposed to
madness of ideology.
And it clarified a girl"s sense of virginal purity, ego, conflict with social custom through the process that the violence of Cultural Revolution is internalized. In the meantime, it is a fact that 〈The Love of the Hawthorn Tree〉 is rare in critical mind about Cultural Revolution. However, it could examine with which method the thematic consciousness of Cultural Revolution proceeds with being revived and developed in three pieces of movies with gearing into popular culture while recalling that it is evolved into consumption of "nostalgia" from ‘trauma’ with reaching the 1990s.
〈Xiu Xiu〉 is arousing political violence through a native man"s libido in primitive nature.〈The Foliage〉 is depicting the stopped time and identity while giving a metaphor to the wild space in Yunnan Down to the Countryside with abyss of ego. 〈The Love of the Hawthorn Tree〉 is showing trauma of Cultural Revolution by twisting as nostalgia (consumption). The Cultural Revolution is expanded from the category of individual trauma and is being evolved into social contradiction and nostalgia of being emitted by the 1970s.
Through analyzing these films, it examined how her ego and body are disrupted and destroyed in the space of political violence while being together with a sight of a girl in the man-in-the-middle position, not weak and fragile senior, child, and boy, who are exposed to
madness of ideology.
And it clarified a girl"s sense of virginal purity, ego, conflict with social custom through the process that the violence of Cultural Revolution is internalized. In the meantime, it is a fact that 〈The Love of the Hawthorn Tree〉 is rare in critical mind about Cultural Revolution. However, it could examine with which method the thematic consciousness of Cultural Revolution proceeds with being revived and developed in three pieces of movies with gearing into popular culture while recalling that it is evolved into consumption of "nostalgia" from ‘trauma’ with reaching the 1990s.
〈Xiu Xiu〉 is arousing political violence through a native man"s libido in primitive nature.〈The Foliage〉 is depicting the stopped time and identity while giving a metaphor to the wild space in Yunnan Down to the Countryside with abyss of ego. 〈The Love of the Hawthorn Tree〉 is showing trauma of Cultural Revolution by twisting as nostalgia (consumption). The Cultural Revolution is expanded from the category of individual trauma and is being evolved into social contradiction and nostalgia of being emitted by the 1970s.
목차
Ⅰ. 문화대혁명의 기표에서 경합하는 여러 기의들
Ⅱ. 〈천욕(天浴)〉: 文秀의 몸을 통해 재현되는 문혁의 폭력
Ⅲ. 〈미인초(美人草)〉: 葉星雨의 자아를 통해 재현되는 문혁의 상흔
Ⅳ. 〈산사나무아래(山?樹之戀)〉:靜秋의 사랑을 통해 재현되는 문혁의 노스탤지어
Ⅴ. 소녀를 통해 환기되는 상흔과 노스탤지어
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