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자료유형
학술저널
저자정보
저널정보
한국여성체육학회 한국여성체육학회지 한국여성체육학회지 제15권 제1호
발행연도
2001.6
수록면
69 - 82 (14page)

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This thesis is about the basis of social quality of dance and the study about a possibility of social approach of dance`s essential examination. For a preliminary consideration, we`ll see how the art`s social ability & mode have changed since 19th century divided as formation, progress, subject, and method, and examine the changed sociality of primitive dance, ancient dance, medieval dance respectively. The type of artistic sociology in 19th century was progressed by a lot of sociologists such as E. Grosse focused in the connection of art and society. They didn`t deny the connection of art and society even if the character of such connection was ambiguous. In 20th century, there were attempts for settling the problems by new viewpoint and method. The concept of artistic sociology by H. Duncan P. Francastel is limited to the social condition of the function & origin of artistic work, regional, economic, and social factors which decide the form, subject, and matter of art, a support of power, rise and fall of culture within the given culture. The various functions of art in history - ideologic, educational, expressional, cognitive, decorative, and social functions - have changed in their character, however, used as religious, moral, political and educational means. Dance is whole and intensive field more than any other science. Therefore, if dance has any social role in a society, it can show its essential function. Today is an age of change & innovation. Besides, every structure of society wishes for change & innovation. In this condition, dance which has creative power more than any other field can show its essential function if the essential examination of dance is completed suitable to a certain society.

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