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자료유형
학술저널
저자정보
김경미 (경북대학교)
저널정보
한국어문학회 어문학 語文學 第125輯
발행연도
2014.9
수록면
265 - 296 (32page)

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초록· 키워드

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The object of this paper analyze the meaning about ‘Manju’ patterning shown up in his colony second half of the year history novel. This shows the visual angle about the identity of the writer found in the history narrative and discussion. The event which it experiences of anti-chinese riots indicates the colonial awareness. And in China, it felt the feeling of the sublimity. This was materialized in the narrative. This experience showed up in Kim Dong -in history novel with the progress of the narrative as ‘Manju’ configuration differently.
[Jeseongdae] points out as the third of person to be wide of the history of Goguryo and territory. When [Janchok] wins the Liaodong Peninsula win to the real near the end of Goryeo Dynasty with the central event and progresses the narrative.『Daesuyang』is the work in which ‘Suyang’ shows the succession of throne process of the ‘Dangjong’. The scene traveler in the progress of the narration to the Ming dinasty is inserted. In this process, ‘Manju’ continent is described. 『Baekmagang』 is evaluated as the pro-japanese work. However, it praises highly through the horse of Japanese with the weather of Koguryo person to be great.
In the history narration, chinese configuration shows the identity of the writer about the discussion. Meanwhile, this analysis extends the meaning of his history novel.

목차

1. 서론
2. ‘배화 사건’과 식민지적 무의식으로서의 ‘만주’
3. 북중국 전선 체험과 ‘숭고’로서의 중국
4. 역사 내러티브에서의 ‘만주’ 형상화의 의미
5. 결론
참고문헌
Abstract

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UCI(KEPA) : I410-ECN-0101-2015-800-002750904