지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2018.12
- 수록면
- 683 - 703 (21page)
이용수
초록· 키워드
오류제보하기
King Lear’s uncertainty about his own identity unleashes a question that potentially echoes in the present day in view of parents’ treatment of their children and vice versa. This paper intends to give an account of how relevant King Lear’s question “Who am I?” is to its appeal in Asian cultures. Illustrative cases for the discussion are the Korean production of Shakespeare in Gwangju adapted and directed by Kim Jihun for the City Theatre Company of Gwangju in 2012, and the Singaporean production of Lear Dreaming conceived and directed by Ong Keng Sen for his company TheatreWorks in 2012. These two productions bear on the form of restaging: Kim readapts Michoo Theatre Company’s 2009 staging of Shakespeare in the Year King Cheoljong 13, and Ong does his own 1997 staging of Lear: An Intercultural Theater Collaboration of Six Asian Countries.
The two restagings have a demonstration of how to respond to King Lear’s question. Shakespeare in Gwangju is concerned with what becomes of the world after his death: the world is overloaded with the legacy of violence and oppression that his wrongdoing left behind. It has the effect of evoking a history of people revolting against tyranny that Gwangju has, thereby presenting a public outcry as an answer to his question. Lear Dreaming is focused on what becomes of King Lear after he was overthrown by his daughter: he falls into silence and dreams of life and death. He is depicted as an individual whose dream conveys the sense of vulnerability, thereby taking his own life as an answer to his own question. Thus the former has more to do with the community’s political life, whereas the latter with the protagonist’s inner life.
The two restagings have a demonstration of how to respond to King Lear’s question. Shakespeare in Gwangju is concerned with what becomes of the world after his death: the world is overloaded with the legacy of violence and oppression that his wrongdoing left behind. It has the effect of evoking a history of people revolting against tyranny that Gwangju has, thereby presenting a public outcry as an answer to his question. Lear Dreaming is focused on what becomes of King Lear after he was overthrown by his daughter: he falls into silence and dreams of life and death. He is depicted as an individual whose dream conveys the sense of vulnerability, thereby taking his own life as an answer to his own question. Thus the former has more to do with the community’s political life, whereas the latter with the protagonist’s inner life.
목차
I. 서론
II. 〈셰익스피어 in 광주〉와 함성의 응답
III. 〈리어 꿈꾸다〉와 침묵의 응답
IV. 결론
인용문헌
Abstract
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
억압된 목소리의 복원: 『리어의 딸들』
영미어문학
2015 .09
-
선(禪)의 시각에서 본 『리어왕』
영어영문학연구
2015 .01
-
키츠의 시를 통해 보는 『리어왕』: 「다시 한 번 『리어왕』을 읽으려고 앉아서」
영미어문학
2020 .01
-
William Shakespeare's King Lear and Akira Kurosawa's Ran: Adaptation or Distortion
영미문학교육
2015 .01
-
이윤택의 『우리 시대의 리어왕』 : 셰익스피어의 『리어왕』과 가스통 살바토레의『스탈린』의 차용 연구
동서비교문학저널
2015 .04
-
셰익스피어의 『리어왕』(King Lear)에 나타난 남성적 여성들
Shakespeare Review
2017 .06
-
Navigating a Wheel of Nature: Shakespeare’s Reflections on Nature in King Lear
Shakespeare Review
2024 .06
-
A Choleric Lear: Humoralism and Malleable Identity in King Lear
영어영문학연구
2021 .08
-
Violence and Commitment in Edward Bond’s Lear
현대영미드라마
2020 .04
-
시민의 주체적 참여와 사회적 실천으로서의 셰익스피어: 마들시민극단의 〈리어, 파고다 공원에 오다〉를 중심으로
Shakespeare Review
2025 .02
-
더 나은 배관설비를 위하여: 베케트 후기 작품에 나타난 King Lear에 대한 문학적 암시
현대영미드라마
2022 .04
-
부산시립극단의 <리어왕> 공연과 연기자 전성환 역할
철학∙사상∙문화
2022 .06
-
리어왕과 얼음장수 오다에 나타난 사랑과 죽음과 구원
영어영문학연구
2016 .01
-
Three Lear Productions in early 2000s’ Korean Cultural Landscape
Shakespeare Review
2015 .03
-
글로스터의 인식 과정 : 『리어왕』에 나타난 눈멂과 통찰
Shakespeare Review
2018 .03
-
The Negative Potential of the Fool in King Lear and the Politics of Nothing
고전중세르네상스영문학
2017 .01
-
구로사와 아키라의《란乱》: 고전에서 영화로의 궤적
일어일문학연구
2017 .08
-
Ecliptic Revolution of the ‘Un-landed’ and ‘Landed’ in Shakespeare’s King Lear
영어영문학
2021 .08
-
The Nothingness of Existence and Its Theistic Transfiguration: A Kierkegaardian Approach to King Lear
인문학연구
2016 .01
-
『헨리 5세』와 『리어 왕』에서 살펴본 주변부에 대한 셰익스피어의 극적 이용
Shakespeare Review
2020 .06
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2019-840-000318031