지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This study examines Korean director, Yun-taek Lee’s adaptation style of King Lear of Our Age (1995). Lee wrote and directed King Lear of Our Age on basis of Gaston Salvatore’s Stalin (1987), which is an adaptation of Shakespeare’s King Lear. Salvatore and Lee borrowed the wilderness scene of King Lear in which Lear’s fool mocks and tries to awaken his lord’s foolishness. In Salvatore’s adaptation, a Jewish actor whose name is Sager and whose main role on stage is King Lear discusses King Lear with Stalin, the dictator of the Soviet Union. Stalin is being bothered by the fear of being dethroned like Lear. Salvatore deals with a tragic history, Stalin’s cruel massacre of Jewish people in this play.
Lee replaces Salvatore’s story into a scene of our own history by transferring the dictator of the Soviet Union into Korean military dictator, Doo-hwan Chun in King Lear of Our Age. Chun who is living in a Buddhist temple after stepping down from the presidency feels betrayed to his successor, Tae-woo No and is captivated by wrath like Lear. An actor summoned by the dictator like Sager criticizes his massacre in Gwangju.
Lee borrowed the basic structure that an actor confronts with a dictator from Salvatore’s Stalin, but turns the story into a familiar one to the Korean audience by using of a scene of our history. In some scenes the actor plays like Malttugi, a typical character of Korean traditional Mask Dance who is a servant and satires his foolish lord. Lee’s constant challenge and experiment in Koreanized adaptation of western plays results in improvement of Korean theatre through the harmony of tradition and modernity.
Lee replaces Salvatore’s story into a scene of our own history by transferring the dictator of the Soviet Union into Korean military dictator, Doo-hwan Chun in King Lear of Our Age. Chun who is living in a Buddhist temple after stepping down from the presidency feels betrayed to his successor, Tae-woo No and is captivated by wrath like Lear. An actor summoned by the dictator like Sager criticizes his massacre in Gwangju.
Lee borrowed the basic structure that an actor confronts with a dictator from Salvatore’s Stalin, but turns the story into a familiar one to the Korean audience by using of a scene of our history. In some scenes the actor plays like Malttugi, a typical character of Korean traditional Mask Dance who is a servant and satires his foolish lord. Lee’s constant challenge and experiment in Koreanized adaptation of western plays results in improvement of Korean theatre through the harmony of tradition and modernity.
목차
Ⅰ. 들어가며
Ⅱ. 『리어왕』에서 리어와 광대의 관계
Ⅲ. 살바토레의『스탈린』
Ⅳ. 이윤택의 『우리 시대의 리어왕』
Ⅴ. 나가며
Works Cited
Abstract
참고문헌 (19)
참고문헌 신청
1. [단행본] - Bassnett, Susan / 1993 / Comparative Literature: An Introduction / Blackwell
2. [단행본] - Damrosch, David / 1994 / Comparative Literature in the Age of Multiculturalism / The Johns Hopkins UP
3. [단행본] - Goldsmith, Robert Hillis / 1955 / Wise Fools in Shakespeare / Michigan UP
4. [단행본] - Hewitt, Barnard / 1988 / 현대 연극의 사조 / 기린원
5. [단행본] - Hong, Changsoo / 2006 / Collection of Yun-Taek Lee’s Plays. V.3 / Theater and Human : 225 ~ 239
2. [단행본] - Damrosch, David / 1994 / Comparative Literature in the Age of Multiculturalism / The Johns Hopkins UP
3. [단행본] - Goldsmith, Robert Hillis / 1955 / Wise Fools in Shakespeare / Michigan UP
4. [단행본] - Hewitt, Barnard / 1988 / 현대 연극의 사조 / 기린원
5. [단행본] - Hong, Changsoo / 2006 / Collection of Yun-Taek Lee’s Plays. V.3 / Theater and Human : 225 ~ 239
함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
억압된 목소리의 복원: 『리어의 딸들』
영미어문학
2015 .09
-
선(禪)의 시각에서 본 『리어왕』
영어영문학연구
2015 .01
-
키츠의 시를 통해 보는 『리어왕』: 「다시 한 번 『리어왕』을 읽으려고 앉아서」
영미어문학
2020 .01
-
리어왕의 질문 “나는 누구인가?”에 대한 아시아인의 응답 : 한국과 싱가포르의 다시공연하기 사례를 중심으로
Shakespeare Review
2018 .12
-
William Shakespeare's King Lear and Akira Kurosawa's Ran: Adaptation or Distortion
영미문학교육
2015 .01
-
A Choleric Lear: Humoralism and Malleable Identity in King Lear
영어영문학연구
2021 .08
-
더 나은 배관설비를 위하여: 베케트 후기 작품에 나타난 King Lear에 대한 문학적 암시
현대영미드라마
2022 .04
-
부산시립극단의 <리어왕> 공연과 연기자 전성환 역할
철학∙사상∙문화
2022 .06
-
Violence and Commitment in Edward Bond’s Lear
현대영미드라마
2020 .04
-
셰익스피어의 『리어왕』(King Lear)에 나타난 남성적 여성들
Shakespeare Review
2017 .06
-
The Negative Potential of the Fool in King Lear and the Politics of Nothing
고전중세르네상스영문학
2017 .01
-
Navigating a Wheel of Nature: Shakespeare’s Reflections on Nature in King Lear
Shakespeare Review
2024 .06
-
시민의 주체적 참여와 사회적 실천으로서의 셰익스피어: 마들시민극단의 〈리어, 파고다 공원에 오다〉를 중심으로
Shakespeare Review
2025 .02
-
글로스터의 인식 과정 : 『리어왕』에 나타난 눈멂과 통찰
Shakespeare Review
2018 .03
-
리어왕과 얼음장수 오다에 나타난 사랑과 죽음과 구원
영어영문학연구
2016 .01
-
Three Lear Productions in early 2000s’ Korean Cultural Landscape
Shakespeare Review
2015 .03
-
The Nothingness of Existence and Its Theistic Transfiguration: A Kierkegaardian Approach to King Lear
인문학연구
2016 .01
-
Ecliptic Revolution of the ‘Un-landed’ and ‘Landed’ in Shakespeare’s King Lear
영어영문학
2021 .08
-
구로사와 아키라의《란乱》: 고전에서 영화로의 궤적
일어일문학연구
2017 .08
-
메타서사와 관객의 각성 : 쉬쉬팝의 〈유서〉
Shakespeare Review
2016 .06
이 논문의 저자 정보
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2016-800-001630776