지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2016.6
- 수록면
- 1,043 - 1,051 (9page)
이용수
초록· 키워드
오류제보하기
This study was focused on the various phenomenons of the flow of the overall Cultural Art enjoyment caused by the development of mass media and SNS.
When enjoying Cultural Arts, there is a tendency that matters communal activities in which individuals are live. It has a different tendency from that of past community arts such as ‘Guk’ and ‘Nong-Ak’ had.
Not just passive appreciation of works of Cultural Art, active participations in enjoyment of Cultural Art through taking part in artistic creative activities or making group meetings so on have been spreading.
Though citizens" consciousness of Cultural Art is increasing but there are still ill-balanced cultural consumption patterns.
Dance is most closely related to the human essential activity. It has the history of development as a collective dancing form that emerged from encounter and clash between oneself with others.
Because of that, the relationship and physical experience with others are important. It has the power to extend with social remedies through communication. It could be a very effective way as a communal artistic activity.
Despite these benefits, dance has vulnerable points to experiencing and consuming it.
Reflecting that Cultural Art has close relationships with everyday life, the participation opportunities of citizens of art need to be considered in various aspects.
Firstly to find ways of developing of communal art, therefore, the results of this study shows that citizens" participation should revitalize local art festivals.
Citizens want to be not just spectators but creators. So not just mass producing spectators through appreciating art or showing exhibitions of art are not enough. Most of all, communal art festivals should be promoted to support art activities for community arts openly.
Secondly, to find the civil cultural art creators, various forms of creative supports must be carried out.
It is necessary to find an independent creative civil art creators through citizens"s mentoring.
Thirdly, to reduce the deviation of cultural consumption, artistic experience based on the Empiricism of John Dewey should be expanded.
It has to be realized that the experience in dance art has close relationship with communal art which has been carried out increase of desire of citizens" cultual artistic activities. Development plans for the future should be sought.
When enjoying Cultural Arts, there is a tendency that matters communal activities in which individuals are live. It has a different tendency from that of past community arts such as ‘Guk’ and ‘Nong-Ak’ had.
Not just passive appreciation of works of Cultural Art, active participations in enjoyment of Cultural Art through taking part in artistic creative activities or making group meetings so on have been spreading.
Though citizens" consciousness of Cultural Art is increasing but there are still ill-balanced cultural consumption patterns.
Dance is most closely related to the human essential activity. It has the history of development as a collective dancing form that emerged from encounter and clash between oneself with others.
Because of that, the relationship and physical experience with others are important. It has the power to extend with social remedies through communication. It could be a very effective way as a communal artistic activity.
Despite these benefits, dance has vulnerable points to experiencing and consuming it.
Reflecting that Cultural Art has close relationships with everyday life, the participation opportunities of citizens of art need to be considered in various aspects.
Firstly to find ways of developing of communal art, therefore, the results of this study shows that citizens" participation should revitalize local art festivals.
Citizens want to be not just spectators but creators. So not just mass producing spectators through appreciating art or showing exhibitions of art are not enough. Most of all, communal art festivals should be promoted to support art activities for community arts openly.
Secondly, to find the civil cultural art creators, various forms of creative supports must be carried out.
It is necessary to find an independent creative civil art creators through citizens"s mentoring.
Thirdly, to reduce the deviation of cultural consumption, artistic experience based on the Empiricism of John Dewey should be expanded.
It has to be realized that the experience in dance art has close relationship with communal art which has been carried out increase of desire of citizens" cultual artistic activities. Development plans for the future should be sought.
목차
Abstract
Ⅰ. 서론
Ⅱ. 지역 공동체와 무용예술 경험
Ⅲ. 시민 참여 예술의 다양성과 확장성
Ⅳ. 결론
참고문헌
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UCI(KEPA) : I410-ECN-0101-2017-692-000836225