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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2016.8
- 수록면
- 155 - 181 (27page)
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초록· 키워드
오류제보하기
Magnificence, Brenton’s 1973 play, narrates the fateful career of a group of disillusioned young people, who really want to change the world. Invoking the experience of the events of May 1968, the play not only reflects the contemporary despair of defeated alternative culture but also probes for the possibility of viable courses of political action on the Left. Concentrating on the revolutionary’s struggle for political change through ‘seemingly revolutionary action,’ Magnificence investigates the limitation and dilemma of politically oppositional force in comparison with and in relation to the dominant capitalist ideology.
Brenton’s primary concern in Magnificence lies not in the failure of the revolutionary movement itself but in the exploration into the ideological elements that support the continuous dominance by the ruling class over the oppressed, and degrade revolutionary activism to local and futile terrorism. That is, in Magnificence Brenton explains the gigantic and massive layers of the capitalist ideological machinery which turn the revolutionary’s desperate struggle for political change into a petty gesture of terrorism, and he further probes for the possibility of opening the door for genuine revolution.
This paper argues that Magnificence is not an agitational propaganda that thrives only in emotional terms. It not only brings oppositional concerns into the heart of official culture but also searches for an active, dialectical relationship with the audience through a more complex account of the existing structure of society. Brenton invites his audience into political dilemmas through the open-ended debates among the revolutionary, the articulate characterization of Right-wing characters, and the evaluation of political terrorism.
Brenton’s primary concern in Magnificence lies not in the failure of the revolutionary movement itself but in the exploration into the ideological elements that support the continuous dominance by the ruling class over the oppressed, and degrade revolutionary activism to local and futile terrorism. That is, in Magnificence Brenton explains the gigantic and massive layers of the capitalist ideological machinery which turn the revolutionary’s desperate struggle for political change into a petty gesture of terrorism, and he further probes for the possibility of opening the door for genuine revolution.
This paper argues that Magnificence is not an agitational propaganda that thrives only in emotional terms. It not only brings oppositional concerns into the heart of official culture but also searches for an active, dialectical relationship with the audience through a more complex account of the existing structure of society. Brenton invites his audience into political dilemmas through the open-ended debates among the revolutionary, the articulate characterization of Right-wing characters, and the evaluation of political terrorism.
목차
I. Introduction
II. Opening the Debates for the Revolution
III. Oppressive Structure Revealed in Right-wing Characters
IV. Questioning the Spectacle of Political Terrorism
V. Conclusion
Works Cited
Abstract
참고문헌 (20)
참고문헌 신청
[단행본] - Althusser, Louis / 1990 / For Marx / Verso
[단행본] - Althusser, Louis / 1984 / Essays on Ideology / Verso : 1 ~ 60
[학술지(정기간행물)] - Ansorge, Peter / 1973 / Disrupting the Spectacle / Plays & Players 20 (10) : 22 ~ 23
[단행본] - Boon, Richard / 1991 / Brenton: The Playwright / Methuen
[단행본] - Brenton, Howard / 1986 / Plays: One / Methuen
[단행본] - Althusser, Louis / 1984 / Essays on Ideology / Verso : 1 ~ 60
[학술지(정기간행물)] - Ansorge, Peter / 1973 / Disrupting the Spectacle / Plays & Players 20 (10) : 22 ~ 23
[단행본] - Boon, Richard / 1991 / Brenton: The Playwright / Methuen
[단행본] - Brenton, Howard / 1986 / Plays: One / Methuen
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UCI(KEPA) : I410-ECN-0101-2017-842-000977370