메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색
질문

논문 기본 정보

자료유형
학술저널
저자정보
Jeong U Jang (Hanyang University)
저널정보
19세기영어권문학회 19세기 영어권 문학 19세기 영어권 문학 제21권 제1호
발행연도
2017.2
수록면
113 - 133 (21page)
DOI
10.24152/NCLE.2017.02.21.1.113

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색
질문

초록· 키워드

오류제보하기
Whitman’s language in Leaves of Grass contains many elements of maternal language. This essay explains how birth images in his poetry are represented on the semiotic level and how his feminine jouissance both expresses his pleasure at crossing gender boundaries and encodes the cultural creation of a nation and his work. Whitman makes it possible for women to enjoy their complete selfhood. By employing a lot of birth images in his poetry, Whitman brings womanhood and motherhood into an open space. His idea of perfect motherhood is determined by his vision of how a strong nation can be created. Consequently, he envisions women breeding robust offspring for the nation. In this context, Whitman extends images of procreation and parenthood in relation to birth images. In fact, Leaves of Grass is strewn with images and terms connected to birth. His language is saturated with birthing, babyhood and women as mothers. It is no accident that he brings babies, children, and women into his poetry. Those figures are remarkably well matched to his intention to describe the cultural parturition of a nation. In his description of birth, he insinuates that he himself gives birth to the nation by begetting artistic offspring.

목차

등록된 정보가 없습니다.

참고문헌 (22)

참고문헌 신청

함께 읽어보면 좋을 논문

논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!

이 논문의 저자 정보

이 논문과 함께 이용한 논문

최근 본 자료

전체보기

댓글(0)

0

UCI(KEPA) : I410-ECN-0101-2017-840-002314646