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이 논문의 연구 히스토리 (6)
2018
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Sansyodayu(1954) directed by Mizoguchi Kenji was titled from an episode of a tale, Sekyobushi as an original. This tale was adapted by Mori Ougai in the era of Meiji as a short novel. Mizoguchi organized it as a story of movie closer to Ougai"s story than the original.
Sansyodayu is a story which a hero, Zushio was parted with Mom by traffickers of human beings on the way of meeting exiled Dad, and then sold to the ferocious lord of a manor, Sansyodayu with his sister, Anju. Zushio was suffered from sever hard works under Sansyodayu"s manor, succeeded in escaping with his sister"s help, went to Kyoto, regained his status with assistance of nobles, and finally punished Sansyodayu and met his mom again.
However, these three texts have epic characters in each produced context, and went through big changes in the story plot. Mizoguchi"s movie has Japanese Post-War situations and ended tragically while tales or novels happily. The key points of context in the movie are practices of modern ideology, that is, "Human beings cannot be human beings if they lose mercy. Have mercy on the people though blaming myself. Human beings are born equal in the world. There should no discriminations in happiness."
The ideology of his father"s instructions of the departed is fictions created by Mizoguchi as the original tales were born on the background of middle ages, and also Japanese contemporary perceptions on the real world. In other words, it can be said that Mizoguchi intended to reveal the violence of capital and power and the irony of premodern patriarchy in Japanese society in the 1950"s.
Sansyodayu is a story which a hero, Zushio was parted with Mom by traffickers of human beings on the way of meeting exiled Dad, and then sold to the ferocious lord of a manor, Sansyodayu with his sister, Anju. Zushio was suffered from sever hard works under Sansyodayu"s manor, succeeded in escaping with his sister"s help, went to Kyoto, regained his status with assistance of nobles, and finally punished Sansyodayu and met his mom again.
However, these three texts have epic characters in each produced context, and went through big changes in the story plot. Mizoguchi"s movie has Japanese Post-War situations and ended tragically while tales or novels happily. The key points of context in the movie are practices of modern ideology, that is, "Human beings cannot be human beings if they lose mercy. Have mercy on the people though blaming myself. Human beings are born equal in the world. There should no discriminations in happiness."
The ideology of his father"s instructions of the departed is fictions created by Mizoguchi as the original tales were born on the background of middle ages, and also Japanese contemporary perceptions on the real world. In other words, it can be said that Mizoguchi intended to reveal the violence of capital and power and the irony of premodern patriarchy in Japanese society in the 1950"s.
목차
Abstract
1. 들어가며
2. 하나의 작품 세 개의 서사
3. 영화《산쇼다유》의 전후적 맥락
4. 나가며
참고문헌
REFERENCES
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UCI(KEPA) : I410-ECN-0101-2018-020-000864903