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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2017.9
- 수록면
- 51 - 70 (20page)
- DOI
- 10.29324/jewcl.2017.09.41.51
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초록· 키워드
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Park Inhwan pursued modernism poetry actively accepting Eliot and Spender’s poetics. Kim Kirim had tried to reflect the modernism sprit and movement in the 1930’s to his poems but Park Inhwan felt that it was not enough to represent the new and different environment of the post-colonial situation of Korea after liberating from the Japanese oppression. Furthermore, it needed to overcome the tradition of Korean lyrical poems that was indifferent to reality and isolated from it. In this context, Eliot and Spender’s poetics became the useful foundation to overcome this limit of Korean poetry of that post-liberation period.
Park Inhwan adopted Eliot’s poetics as the principle of modernism literature and regarded Spender’s poetics as a model of modernism literature in his poetic pursuit. Park agreed Eliot both on the rejecting the traditional poetry and reflecting contemporary society in the poetry through the modernism technique. Park, however, did not agree with Eliot in the idea of pursuing human salvation in the religious perspective, but follow Spender who tried to overcome it through the social perspective. As a poet, Spender typically presented a social role of poetry in Europe under the severe economic crisis and Park Inhwan agreed with his perspectives and attitudes because he were pursuing the same kind of solution in his poetry amid the confused situation of post-Japanese colonial period and Korean War. Park Inhwan, in this respect, regarded and pursued persistently modernism poetry as the proper direction of his poetry with standing fast on Spender’s belief that literature can not be separated from the time and society.
Park Inhwan adopted Eliot’s poetics as the principle of modernism literature and regarded Spender’s poetics as a model of modernism literature in his poetic pursuit. Park agreed Eliot both on the rejecting the traditional poetry and reflecting contemporary society in the poetry through the modernism technique. Park, however, did not agree with Eliot in the idea of pursuing human salvation in the religious perspective, but follow Spender who tried to overcome it through the social perspective. As a poet, Spender typically presented a social role of poetry in Europe under the severe economic crisis and Park Inhwan agreed with his perspectives and attitudes because he were pursuing the same kind of solution in his poetry amid the confused situation of post-Japanese colonial period and Korean War. Park Inhwan, in this respect, regarded and pursued persistently modernism poetry as the proper direction of his poetry with standing fast on Spender’s belief that literature can not be separated from the time and society.
목차
I. 서론
II. 본론
III. 결론
Works Cited
Abstract
참고문헌 (15)
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UCI(KEPA) : I410-ECN-0101-2018-800-001328862