지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 전문잡지
- 저자정보
- 저널정보
- 한신대학교 한신신학연구소 신학연구 神學硏究 第70輯
- 발행연도
- 2017.6
- 수록면
- 7 - 43 (37page)
- DOI
- 10.46334/TS.2017.06.70.7
이용수
초록· 키워드
오류제보하기
At the first scene of the Gospel of Mark, following “the voice of one crying in the wilderness” (1:3), Jesus is baptized by John the Baptist (1:9). Mark calls it “the beginning of the gospel” (1:1). After his baptism, Jesus experiences the voice from heaven, “You are my beloved son, with you I am pleased” (1:10-11). For Mark, this is “the origin of the gospel” (’Αρχὴ τοῦ εὐαγγελίου) (1:1). Jesus hears a voice from the wilderness. He gets a voice from heaven. And he becomes a voice, which we call Gospel. Can one read the Gospel of Mark as a story of voice?
As is well known, major literary motifs of the Gospel of Mark are the para¬bles and the‘Messianic Secret,’ the repeated boat trips, the table fellowship (two feedings and the Last Supper), and the fatal misunderstanding and failure of the Twelve, etc. The most dominant theological themes of the Gospel of Mark are the Kingdom of God and gospel, Christology of passion, discipleship of servi¬tude, repentance and change of persons, etc. If voice is one of the most import¬ant structural elements in the Gospel of Mark, how does it relate itself to those motifs and themes?
The purpose of this study is to recognize the centrality and significance of the voice in the Gospel of Mark, by reading it as a story of voice. With this study, one can ask whether one can find a so called ‘a theology of voice’ from the Gospel of Mark and early Christianity. A passage of the Hebrew Bible says that voice is a mode of existence of God (1 Kings 19:11-14). One can take this as another meaningful task to interpret and evaluate the New Testament in a new fashion and we will begin by suggesting a reading the Gospel of Mark as an epic of voice.
This study suggests ‘a storytelling theater’ as a flexible methodology. For Mark the evangelist, gospel was a story of Jesus. The story of Jesus as a whole consists of small individual stories. In each individual story, Jesus and characters cause an incident and experience an evangelical event. However, the most im¬portant mode of communication of the gospel was not through text but through storytelling, not only in the community of Mark but also in early Christianity as a whole. By a storytelling theater, this study means analysis and imagination. For the purpose of this study, one needs enough imaginations on each small sto¬ry through empathy and sympathy as well as a detailed and close analysis on the composition and style of the Markan text.
As is well known, major literary motifs of the Gospel of Mark are the para¬bles and the‘Messianic Secret,’ the repeated boat trips, the table fellowship (two feedings and the Last Supper), and the fatal misunderstanding and failure of the Twelve, etc. The most dominant theological themes of the Gospel of Mark are the Kingdom of God and gospel, Christology of passion, discipleship of servi¬tude, repentance and change of persons, etc. If voice is one of the most import¬ant structural elements in the Gospel of Mark, how does it relate itself to those motifs and themes?
The purpose of this study is to recognize the centrality and significance of the voice in the Gospel of Mark, by reading it as a story of voice. With this study, one can ask whether one can find a so called ‘a theology of voice’ from the Gospel of Mark and early Christianity. A passage of the Hebrew Bible says that voice is a mode of existence of God (1 Kings 19:11-14). One can take this as another meaningful task to interpret and evaluate the New Testament in a new fashion and we will begin by suggesting a reading the Gospel of Mark as an epic of voice.
This study suggests ‘a storytelling theater’ as a flexible methodology. For Mark the evangelist, gospel was a story of Jesus. The story of Jesus as a whole consists of small individual stories. In each individual story, Jesus and characters cause an incident and experience an evangelical event. However, the most im¬portant mode of communication of the gospel was not through text but through storytelling, not only in the community of Mark but also in early Christianity as a whole. By a storytelling theater, this study means analysis and imagination. For the purpose of this study, one needs enough imaginations on each small sto¬ry through empathy and sympathy as well as a detailed and close analysis on the composition and style of the Markan text.
목차
Ⅰ. 복음의 기원 & 복된 소리의 탄생
Ⅱ. 소리의 전쟁 & 복음의 위기
Ⅲ. 소리의 치유 & 복음의 소통
Ⅳ. 소리의 죽음 & 부활의 기약
참고문헌
Abstract
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
마가가 전한 기쁜 소식 : 예수 그리스도가 통치하는 로마제국
신학과세계
2016 .12
-
Revisiting the Ending of Mark
신약연구
2021 .09
-
온신학을 위한 온전한 복음 이해
장신논단
2016 .03
-
복음서의 “인자”(ὁ υἱὸς τοῡ ἀνθρώπου)에 대한 연구
신학연구
2020 .12
-
예수와 초기그리스도교의 다양성
Canon&Culture
2017 .04
-
복음서의 종결에 관한 마가복음의 전략
신약연구
2015 .03
-
마가복음과 그리스 비극의 비극적 공간 메타포의 비교연구 : 신학적 함의와 윤리적 적용
신약논단
2015 .12
-
예수의 두 얼굴- 마가복음의 고기독론 연구 -
신약연구
2017 .01
-
마가복음의 공간 전이에 관한 연구: 갈릴리와 예루살렘 성전을 중심으로
신약연구
2016 .06
-
D. James Kennedy의 복음 메시지 연구
신학지남
2015 .09
-
마가복음에서 프뉴마와 백부장의 고백
한국개혁신학
2024 .02
-
마가복음 세 결말 부분에 대한 분석 - Freer Logion과 막 16:9-20을 중심으로
신약논단
2019 .06
-
빵이다, 몸이다··· - 마가복음 1:1-3:6의 식탁교제 모티프에 관한 연구
신약논단
2021 .06
-
One Cry or Two? Mark’s Composition of Mark 15:34-37
성경원문연구
2019 .10
-
아돌프 폰 하르낙(Adolf von Harnack)의 복음과 문화와의 관계에 대한 비판적 고찰
신학논단
2020 .06
-
마가복음은 βίος인가?-헬렌 본드(H. K. Bond)의 The First Biography of Jesus에 대한 분석과 평가
신약논단
2023 .12
-
두려움의 시대, 사람의 마음 ― 마가의 문제의식: 마가복음 3:1-6의 번역과 해석
신학사상
2021 .01
-
What Does John’s Gospel Say about the NPP?
Hapshin Theological Review
2016 .12
-
Hermeneutics of Dialogue and Reconciliation: Understanding Jesus' Gospel, Relevant to Asian Religious Contexts
신약연구
2019 .01
-
마가복음 4:12 번역 ― 비유의 목적인가, 결과인가? ―
성경원문연구
2022 .04
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2018-230-001783436