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Recognition on Buddhist Relics in Juksan of Anseong City and Their Significance In terms of Art History
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安城 竹山地域의 佛敎文化財에 대한 認識變化와 美術史的 意義

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Type
Academic journal
Author
Oh, Ho Seok (단국대학교)
Journal
Hankuk Munhwa Sa Hak Hoe, Korean Association of Cultiral History JOURNAL OF KOREAN CULTRUAL HISTORY No.49 KCI Accredited Journals
Published
2018.6
Pages
97 - 125 (29page)
DOI
10.29334/MHSH.2018.06.49.97

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Recognition on Buddhist Relics in Juksan of Anseong City and Their Significance In terms of Art History
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Juksan-myeon of Anseong City is a place where many Buddhist relics and remains ranged from the end of Unified Shilla Kingdom to the early Goryeo Kingdom were distributed. It includes the site of Bongeop Temple, which was the former Jinjeon Sawon where the portrait of King Taejo was enshrined. As seen in the patterns of diverse relics found in the site of Bongeop Temple such as a bronze incense burner named Bongeop Temple, the site has high historical and academic value as one of the top Buddhist relics representing Juksan region. Notwithstanding the fact, documents and literatures related to the times of Shilla to Goryeo are quite restrictive. In order to understand the situations of those times, the remains and relics excavated should be investigated along with Buddhist relics found nearby. This study investigated the changes in recognition of people on Juksan Buddhist relics after the Goryeo Kingdom when the Buddhist culture was prosperous, to the present passing through Joseon Dynasty and colonial period. It also reviewed the significance of the Buddhist relics in terms of art history.
The Buddhist culture in Juksan area, which had bloomed in the Goryeo Kingdom declined rapidly along with the foundation of Joseon Dynasty. Most of the temples which were survived by the early Joseon Dynasty were closed in the 18th century. The Buddhist relics remained in Juksan area were only Chiljang Temple, the historic site of the Five-story Stone Pagoda and the stone-statue of Mireulk Buddha. Based on the various maps produced after the 18th century, the Five-story Stone Pagoda in Juksan-ri and the standing stone statue of Buddha in Maesan-ri were assumed to be the landmark of the regions. In the Japanese Colonial Period, the Buddhist relics in Juksan were recognized as the subjects for preservation and management pursuant to the laws, but they became the targets to bring to Japan. That is, they were recognized as the subject of collection, appreciation, and product. It is required to identify mutual relations and comprehensive analysis on the Buddhist relics in Bongeop Temple and around the nearby areas. For the purpose, more active academic research and systematic preservative management are required including making an accurate distribution map on the Buddhist relics in Bongeop Temple and nearby areas, and investigations on major relics including the Standing Stone Statue of Buddha in Maesan-ri.
#조선시대(朝鮮時代) #일제강점기(日帝强占期) #봉업사(奉業寺) #고지도(古地圖) #죽산면(竹山面) #Joseon Dynasty(朝鮮時代) #Japanese Colonial Period(日帝强占期) #Bongeop Temple(奉業寺) #ancient map(古地圖) #Juksan-myeon(竹山面)

Contents

요약
Ⅰ. 머리말
Ⅱ. 고지도에 나타난 죽산지역 불교문화재
Ⅲ. 일제강점기 문화재로의 인식과 수난
Ⅳ. 해방이후 연구성과와 미술사적 의의
Ⅴ. 맺음말
참고문헌
Abstract

References (41)

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[기타자료] - / / 高麗史 google schola [기타자료] - / / 新增東國輿地勝覽 google schola [기타자료] - / / 輿地圖書 google schola [기타자료] - / / 梵宇攷 google schola [기타자료] - 경기도박물관 / 2009 / 경기문화유적지도Ⅱ / google schola

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