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A study on the Consilience displays of Ceramics craft Exhibition - Focusing on ceramics Exhibition
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도자공예 전시의 통섭연출 기법에 관한 연구 : 도자전시를 중심으로

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Type
Academic journal
Author
Lee, Hong Won (성균관대학교)
Journal
Korea Institute of Exhibition Industry convergence The Korean Society of Science & Art Vol.37 No.2 KCI Accredited Journals
Published
2019.3
Pages
251 - 265 (15page)
DOI
10.17548/ksaf.2019.03.30.251

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A study on the Consilience displays of Ceramics craft Exhibition - Focusing on ceramics Exhibition
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This thesis is presented in partial fulfillment for the degree of Doctor of Philosophy. The aim of the study in this thesis was to conduct an analysis of form of exhibition display in the present modern society, especially of the active communication with visitors in the ceramic art exhibition.
This thesis considers more effective method of ceramic exhibition’s display focusing on ‘ceramic exhibition’ including historical course and evolution of ceramic exhibition. My proposal for the display is the display in consilience. Display in consilience or consilience display is to create a different kind output on the basis of mixing different kinds of input. For example, it is placing a ceramic work in a real life-style day-to-day designed space to let the attendance easily understand the purpose of the exhibition. That is to lead or induce the attendance to communicate with the space design including the ceramic works and the space surrounding the works.
Consilience display is to create a designed space blending a work, direction, and space in harmony.
Consilience display includes both convergent and consolidated. It is characterized by its infinate expansion and modification and would create more various and expanded types of exhibition. The attendances would apply what is in the exhbition in their real life after they attend the exhibition. It is the reason for the author of this thesis to suggest the Consilence display. I hope that this thesis will be helpful to researchers studying exhibition directing.

Contents

Abstract
국문초록
I. 서론
II. 전시기획 및 작품 연출방법의 흐름
Ⅲ. 통섭이론에 대한 담론
Ⅳ. 도자공예 전시연출의 다양한 통섭 연출기법
V. 결론
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